I’ve been able to compile DCP-o-matic on Raspberry Pi 2’s using the Raspian disk image. I had to install a few packages and compile/install a couple of third party libraries. I also had to make some changes to the script file to take into account that the CPU is an ARM chip, and not Intel x86.
Carl, any chance you’d be willing to take on another platform for your package distribution? Raspian is a direct Debian implementation, so you should be able to re-use a lot of your setup.
I’d be willing to donate a configured Pi 2 to the project if that would help.
-David
Looks like when I change the gain for a sigle channel is not showing
up in the Show Audio graphic.
Also, the channel gain overrides the general gain or is relative to
the other channels? Let's say I have a general gain of -10dB and
center channel is -5dB, will center channel be -10dB or -15dB?
Just to make it harder, it's an stereo source upmixed to 5.1 (up-mixer A)
v. 2.0.41
Thanks!
Manuel AC
Hi Carl,
I noticed there have been some recent changes/improvements to the color conversion, assisted by Dennis Couzin.
I would like to pick up one issue that seems to have remained unsolved in some previous discussions, and where I have a hard time to understand the issue completely myself.
That is, source footage in P3 color space.
More and more people use Adobe products and especially DaVinci Resolve for editing/grading, and quite a few of them are encouraged to use P3 for their editing, because they are told this would be the recommended color space for DCI work. Hence I would like to assume that when creating a final master within that color space, that this is already in XYZ. But that doesn't seem to be the case?
As more and more people are using RAW cameras with a wider gammut than plain sRGB or rec709, I think we should address this issue.
There have been a few questions regarding proper P3 conversion on this list before, and I think they have been left unanswered.
When I google for this, there seems to be quite a bit of confusion. I'm not even sure wether P3 in DaVinci Resolve could be only a preview colourspace that is used when suitable display devices are connected.
Maybe Dennis can help in solving that puzzle as well?
- Carsten
Hello,
It may have already been noticed.
Here are dcp-o-matic 1.78 and ubuntu (unity) 14.04 64bits.
aim : one dcp from 11 still images (.tif)
In file browser Nautilus I've selected my 11 images using ctrl+click.
Then I've dragged'n'dropped them onto the dcp-o-matic window.
It seems to work but actually the images are "loaded" in dcp-o-matic
without any duration* or framerate. I've seen this in the "time" tab.
*default duration for still images is set at 1 second in the preferences.
If loaded from dcp-o-matic using the import file button, images are
correctly set. Though they are not sequenced, alphabetically or
numerically speaking. And previewing did not work.
Best regards,
Gerald.
