Hi,
Here you are! Sorry for the delay.
Lilian
Le 30/08/2018 11:27, Jude Chidebe a écrit :
> Thank you Lilian.
>
> I am very grateful for your swift response.
>
> The cinema chain just gave me the serial numbers of their servers for
> their another location. Would you please indulge me one more request?
>
> _/Serial Nos/_
> _/
> /_
> 0000000F77AA
> 0000000D0BCE
> 0000000D1F9A
> 0000000F1102
>
>
> Yes I would go ahead and ask Christie for an account, hopefully that
> would not take very long.
> I do have some other cinemas yet to send me their DCI readiness sheets
> and some of them might also use Christie servers.
>
> I once again express my gratitude.
>
> Best regards.
>
>
> *Jude Chidebe*
> Head of Post Production & Studio Facilities
> m: (+234) 09062657246
> e: j.chidebe(a)trinostudios.com <mailto:enquiries@trinostudios.com>
> __
>
> *TRINO STUDIOS LTD.*
> 4 Olumo Road, Parkview Estate, Ikoyi, Lagos, Nigeria
> t: (+234) 01-2951248
> e: enquiries(a)trinostudios.com <mailto:enquiries@trinostudios.com>
> w: www.trinostudios.com <http://www.trinostudios.com>
>
>
>
>> On 30 Aug 2018, at 8:50 AM, lilian lefranc <lilianlef(a)gmail.com
>> <mailto:lilianlef@gmail.com>> wrote:
>>
>> Hi,
>>
>> Please find them enclosed.
>> Why don't you ask an account to Christie to get them easily?
>>
>> Best regards,
>>
>> Lilian
>>
>> Le 29/08/2018 21:04, Jude Chidebe a écrit :
>>> Hello Lilian.
>>>
>>> Can you help me get certificates for *Christie IMB-S2*.
>>>
>>> We are a distributor sending out DCPs to a theatre.
>>>
>>> /_Serial Nos:_/
>>> /_
>>> _/
>>> 9C9D0013917B
>>> 4503001F545B
>>> 0000000F7AB9
>>>
>>>
>>> *Jude Chidebe*
>>> Head of Post Production & Studio Facilities
>>> m: (+234) 09062657246
>>> e: j.chidebe(a)trinostudios.com <mailto:enquiries@trinostudios.com>
>>> __
>>>
>>> *TRINO STUDIOS LTD.*
>>> 4 Olumo Road, Parkview Estate, Ikoyi, Lagos, Nigeria
>>> t: (+234) 01-2951248
>>> e: enquiries(a)trinostudios.com <mailto:enquiries@trinostudios.com>
>>> w: www.trinostudios.com <http://www.trinostudios.com/>
>>>
>>>
>>>
>>
>> <IMB-S2_0000000F7AB9_sha256.pem><IMB-S2_9C9D0013917B_sha256.pem><IMB-S2_4503001F545B_sha256.pem>
>
Hi,
Please find them enclosed.
Why don't you ask an account to Christie to get them easily?
Best regards,
Lilian
Le 29/08/2018 21:04, Jude Chidebe a écrit :
> Hello Lilian.
>
> Can you help me get certificates for *Christie IMB-S2*.
>
> We are a distributor sending out DCPs to a theatre.
>
> /_Serial Nos:_/
> /_
> _/
> 9C9D0013917B
> 4503001F545B
> 0000000F7AB9
>
>
> *Jude Chidebe*
> Head of Post Production & Studio Facilities
> m: (+234) 09062657246
> e: j.chidebe(a)trinostudios.com <mailto:enquiries@trinostudios.com>
> __
>
> *TRINO STUDIOS LTD.*
> 4 Olumo Road, Parkview Estate, Ikoyi, Lagos, Nigeria
> t: (+234) 01-2951248
> e: enquiries(a)trinostudios.com <mailto:enquiries@trinostudios.com>
> w: www.trinostudios.com <http://www.trinostudios.com>
>
>
>
Hi Carl,
I just wanted to report a bad bug that occured in 2.12.2 version and that
goes on til the last one : 2.12.9 version.
DCP o Matic crashes each time you want to make a 3D DCP (I tested Linux and
windows versions and it's the same)
I made several test and the only solution to make a 3D DCP is to downgrade
to version 2.10.5 that works without any problem.
Regards,
Thierry JOURNET
Hello,
I am having some issues, this was my first time creating a DCP set of files
as a buddy wanted me to make a commercial for a local drive in movie
theater, so I made the MP4 video out of still pictures and logos and some
backgrounds and music. I then took my finished MP4 and used DCP-o-matic to
convert to the files needed on the Barco DP2K-23B projector used at the
theater well we play it and the whole video is highlighted like pink. So
then i am confused and download the player to check it at home but it plays
the same file with no pink at home so now I am lost hoping the player would
do the same thing so i could trouble check. Any thoughts on what I should
do?
Hi Carl.
I'm just wondering how/when you go about merging commits from the test
version into stable branch?
For example, a feature request I made
(https://dcpomatic.com/mantis/view.php?id=1284) was implemented in test
version 2.13.19. Since then, stable 2.12.6 has been released but does
not contain this commit.
Stable releases since 2.12.2 are bug fix releases. However, what
confuses me is that there are many more bug fixes which have been
committed to the test branch. So there's obviously some criteria for
what makes it through to stable and what doesn't.
If you can be bothered, can you explain the release strategy a little
bit? And do you have a rough timeline of when the next stable release is
likely to be?
Just asking as I'm planning ahead to an upcoming festival and wondering
what version to settle on.
Many thanks,
Jim
Hi all.
Is there anyone out there who has access to Christie's certificate
database and would be willing to look up a couple of certs for me?
Have a show on Friday and we're using mobile projectors which are
currently locked in a warehouse in middle of nowhere, so it'd be a pain
to get them out to extract the certs from them. For whatever reason, the
owner of the projectors doesn't have a copy of the certs.
If anyone can help would be amazing!
Many thanks,
Jim
Hi,
I have been making DCP for a wile and since the last Premiere CC update I have purple artefacts in blue color.
Does anyone have notice that and know a way to avoid it ?
(Here below timeline shots from premiere)
Thanks in advance for your help.
Jean
The dcp Omatic image after processing : (purple artefacts on the top left)
Original footage :
Hi all,
DCP-o-matic 2.12.8 is now available from https://dcpomatic.com/download
This is a bug-fix release which corrects some problems with 2.12.6, and
provides a couple of small improvements:
Fix failure to load image files with non-ASCII pathnames.
Fix some reel length errors at the end of transcodes.
Prevent the introduction of negative trims (which cause encoding errors).
Assume .jpf files are JPEG2000 images.
Fix the update checker (#1338).
Speed up the timeline in some cases.
Add build for Fedora 28.
Special thanks to our subscribers and supporters!
Kind regards,
Carl
Désolé que je ne peux pas aider plus…I haven’t touched Premiere since 1990s!
The never changing rule:
Entertainment Technology Debug Question One: What else has changed?
Entertainment Technology Debug Question Two: What else has changed?
Of course, you wonder if DCP O Matic has changed…?
When I google Premiere update color shift – many answers, some recent, many old.
=-=-=
The right color space depends on the capabilities of the equipment that you are using, the client’s release format, and importantly for you, the archive format. A library has value only if it keeps up with current trends. For example, a VHS format and color space has little value today – it is unwatchable and cannot be upgraded easily or well. And more than one streaming service is demanding P3 4K minimum. All trends are toward more and better pixels: How soon 2020? The best that the client can afford today! But you are the client!!!
The trend in the standards world is toward a high grade mezzanine format for archiving and a lot of metadata for different iterations and evolutions. SMPTE ST2065 – Academy Color Encoding Specification (ACES),and ST 2067 – Interoperable Mastering Format (IMF) detail the entire path from production to various forms of exhibition…and those standards continue to be worked on.
I don’t have a specific answer to “Right Color Space for Premiere” but it seems that the answer is a constantly improving workflow for deliverables that are going to be under constant pressure for better and interchange software that will help advance that.
Regards in return…Charles
> On 9 Jul 2018, at 10:27, Septieme Factory <jean.heches(a)wanadoo.fr> wrote:
>
> Hi Flynn,
>
> Thanks for answering.
>
> Except the new Premiere version I haven't change anything. I am even using the same old templates I have used before for other previous export working fine.
>
> What should be the right color space in premiere ?
>
>
> Best regards
> Jean
>
> Here below my sequence setup :
>
>
> <Capture d’écran 2018-07-09 à 19.21.30.png>
>> Le 9 juil. 2018 à 18:01, CJ | Digital Test Tools <cjflynn(a)digitaltesttools.com <mailto:cjflynn@digitaltesttools.com>> a écrit :
>>
>> Just wondering, Jean...
>>
>> Did anything else change in your setup coinciding with the last Premiere version? Monitors? Project parameters?...or perhaps did Premiere change you into a different color space – 709 to P3? Looking at your Tiff files on 2 different P3 screens, they don’t look that different though I can see from the histograms that there are shifts in all the colors.
>>
>> Thus, I wonder if there are other things going on in the set up.
>>
>> C J Flynn
>>
>> Typeos from CJ's iPad
>>
>>> On Jul 8, 2018, at 1:43 PM, Carl Hetherington via DCPomatic <dcpomatic(a)carlh.net <mailto:dcpomatic@carlh.net>> wrote:
>>>
>>> On Sun, 8 Jul 2018 22:09:48 +0200
>>> Septieme Factory via DCPomatic <dcpomatic(a)carlh.net <mailto:dcpomatic@carlh.net>> wrote:
>>>
>>>> Hi,
>>>>
>>>> I have been making DCP for a wile and since the last Premiere CC update I have purple artefacts in blue color.
>>>> Does anyone have notice that and know a way to avoid it ?
>>>
>>> Are you going into DCP-o-matic with TIFF files? Do you have TIFFs from the working and non-working versions of Premiere?
>>>
>>> Kind regards,
>>> Carl
>>>
>>> _______________________________________________
>>> DCPomatic mailing list
>>> DCPomatic(a)carlh.net <mailto:DCPomatic@carlh.net>
>>> http://main.carlh.net/cgi-bin/mailman/listinfo/dcpomatic
>
Does anyone know if it's possible to build a DCP with DCP-o-matic that
repeats a source file a number of times, but only encodes it once? So
essentially the CPL would point to the same asset multiple times.
I'm adding the source video multiple times in the content tab, and then
selecting "split by video content" for reels. This still re-encodes each
instance of the source video.
--
TOM HAINES
Screenings | Originals Publicity
M: 310.467.3069 | thaines(a)netflix.com
5808 W. Sunset Blvd, 5th fl | Los Angeles, CA 90028
<https://maps.google.com/?q=5808+W.+Sunset+Blvd,+5th+fl+%7C+Los+Angeles,+CA+…>
Hi all,
I just made made a DCP an got the following warnings in logfile for which I could’nt find any explanation.
Would be very happy is some of you can help me out if these warnings affect the quality of the final DCP and if I can assume that the DCP will be OK.
So 17 Jun 09:06:04 2018: WARNING: Butler video buffers reached 51625 frames (audio is 19808)
So 17 Jun 09:06:04 2018: WARNING: Butler video buffers reached 51625 frames (audio is 20035)
So 17 Jun 09:06:04 2018: WARNING: Butler video buffers reached 51625 frames (audio is 20035)
And I also got a lot of these messages:
Sa 16 Jun 23:05:52 2018: Writer full; pushes 2229 to disk while awaiting 1948
Sa 16 Jun 23:05:52 2018: Writer full; pushes 2230 to disk while awaiting 1948
…
…
Thank you in advance and have a nice day.
Christian
Hi Carl,
I keep getting this error message from dcp. It's the first time I've seen this message and I've been using DCP for over a year now..
I've tried on 2 different computers. Both PC and Mac, and both are giving me the same error message.
I'm in a bit of a crunch as I have ads that have to start playing at our theatre before tomorrow. Any help is greatly appreciated!
Thanks,
Bethany Nelson I Assistant Manager
Office: 931.762.5885 I Cell: 931.242.1224 I bethany(a)nelsonavp.com
<mailto:rickylee@nelsonavp.com>
Nelson Studios<http://www.nelsonavp.com/> I 2356 Springer Road I Lawrenceburg, TN 38464
Hi all,
I'm trying to open DCPomatic Player 2 (version 2.12.5) on a mac i7 with
current software and it keeps hanging on "Verifying..." but then eventually
opens after about 5 minutes.
I've used it before and not had this issue. I just re-installed and same
issue. Hmm.
Anyone else with experiencing this?
Thanks!
Joaquin
Hello,
I’m running into an issue with a xml subtitle file. Dcp-o-matic (2.12.4) seems to be unable to read the & sign in the xml file.
In the XML file I have;
<dcst:Subtitle SpotNumber="13" TimeIn="00:07:01:05" TimeOut="00:07:07:18" FadeUpTime="00:00:00:00" FadeDownTime="00:00:00:00">
<dcst:Text Hposition="0.0" Halign="center" Valign="bottom" Vposition="12.5" Direction="ltr">When house & techno arrived in the UK,</dcst:Text>
<dcst:Text Hposition="0.0" Halign="center" Valign="bottom" Vposition="8.0" Direction="ltr">people started throwing illegal parties.</dcst:Text>
In DCP-o-matic I only see the second sentence (the first sentence is ignored);
people started throwing illegal parties.
Best regards,
Lennert
Got 1G lan, 1 master, 3 slaves. Slaves are E5-2687W’s @ 3 GHz.
Master is seeing all 3 slaves in encoding servers list (with threads info 48).
Source material is 12-bit tiffs with 9 MB each.
We’re seeing a lot less throughput than expected: ~ 6 fps. On the slaves status says ~ 0.1 - 0.2 fps respectively.
Log messages on the slaves’ status panes have a lot of “error during async_read ([numbers 10009 and 10054 mostly])” messages.
Occasionally logs list an encoded frame with roughly these numbers:
receive up to 23 seconds, encode 1 second, send up to 1 second.
What could we check?
Kind regards, Wolfgang
Hi,
I made dcp format for the cinema, but in the cinema they can't play it correctly. The colors are different (the picture below).
I don't have already any idea how to fix it.
Could you please help me?
Thank you!
Dusan
> Could not make DLP
> Boost::Filesystem::Create_directory:Can not create a file when the file already exists:
> “C:\Users\Galle\onedrive\documents\”
This seems to be a Microsoft OneDrive issue, so for now, don't create DCP-o-matic projects within a OneDrive folder. Create projects/DCPs in a different directory, and if for some reason you want them to be synced with OneDrive, copy/move them to OneDrive later after finishing.
- Carsten
Hi there,
When you did File -> New and you saw this box:
https://dcpomatic.com/manual/html/screenshots/video-new-film.png
what does it say next to "create in folder" and what did you put in for
"film name" ?
Sorry for all the questions --- we are just trying to work out what is
going wrong.
All the best,
Carl
On Wed, 18 Apr 2018, Gallery Cinemas wrote:
>
> I started a new file
> found what I wanted in pictures
> Clicked on it, and everything was fine until I went to create
>
>
>
> the file is in location C:\galle\documents\joel
> Opens with Photos (.jpg)
> 324.9 kb
> 2310x864
>
>
> I have photographed a number of signs & poster etc, saved them to this file and it has always worked, until now.
>
> Sorry, this is the best I can do now
>
> Joel K. Pell
>
> Gallery Cinemas
> 396 Old Hartford Rd.
> Colchester, Ct. 06415
>
> tel: 860-537-6682
> fax: 860-537-6645
>
> email: gallerycinemas(a)sbcglobal.net
>
>
> On Tuesday, April 17, 2018 6:34 PM, Carl Hetherington <cth(a)carlh.net> wrote:
>
>
> What folder did you specify when you did File -> New ?
>
> On Tue, 17 Apr 2018, gallerycinemas(a)sbcglobal.net wrote:
>
> > I would need you to send instructions on how to do that
> >
> > Joel Pell
> > Gallery Cinemas
> >
> >
> >
> >
> > On Tue, Apr 17, 2018 at 6:19 PM -0400, "Carl Hetherington" <cth(a)carlh.net> wrote:
> >
> > Can you send me the metadata.xml file from inside your project's folder?
> >
> > On Tue, 17 Apr 2018, gallerycinemas(a)sbcglobal.net wrote:
> >
> > > yes, it happened Make DLP, that's where that message popped up
> > >
> > > Joel Pell
> > > Gallery Cinemas
> > >
> > >
> > >
> > >
> > > On Tue, Apr 17, 2018 at 6:09 PM -0400, "Carl Hetherington" wrote:
> > >
> > > Were you creating a new project? Adding content? Did you just click "Make
> > > DCP"?
> > >
> > > On Tue, 17 Apr 2018, Gallery Cinemas wrote:
> > >
> > > > Sorry, always worked fine for me. Then it didn't work. I deleted it and downloaded again, but got the same message
> > > >
> > > > Joel K. Pell
> > > >
> > > > Gallery Cinemas
> > > > 396 Old Hartford Rd.
> > > > Colchester, Ct. 06415
> > > >
> > > > tel: 860-537-6682
> > > > fax: 860-537-6645
> > > >
> > > > email: gallerycinemas(a)sbcglobal.net
> > > >
> > > >
> > > > On Tuesday, April 17, 2018 5:10 PM, Carl Hetherington wrote:
> > > >
> > > >
> > > > Hi there,
> > > >
> > > > Can you describe what you did that lead up to this error?
> > > >
> > > > Thank you,
> > > > Carl
> > > >
> > > > On Tue, 17 Apr 2018, Gallery Cinemas via DCPomatic wrote:
> > > >
> > > > >
> > > > > I am having issues with your program
> > > > >
> > > > >
> > > > >
> > > > > Could not make DLP
> > > > >
> > > > > Boost::Filesystem::Create_directory:Can not create a file when the file already exists:
> > > > >
> > > > > “C:\Users\Galle\onedrive\documents\”
> > > > >
> > > > >
> > > > >
> > > > > Sent from Mail for Windows 10
> > > > >
> > > > >
> > > > >
> > > > >
> > > > >
> > > >
> > > >
> > > >
> > > >
> > >
> > >
> > >
> >
> >
> >
>
>
>
>
Am 17.04.2018 um 18:00 schrieb Gallery Cinemas via DCPomatic:
>
> Boost::Filesystem::Create_directory:Can not create a file when the file already exists:
> “C:\Users\Galle\onedrive\documents\”
Could this be a specific onedrive issue?
Sounds as if he wants to overwrite an existing DCP, but instead of the DOM confirm overwrite dialog, onedrive does something on it's own?
Joel - can you try to create that project somewhere else, e.g. on your desktop?
- Carsten
Can you send me the metadata.xml file from inside your project's folder?
On Tue, 17 Apr 2018, gallerycinemas(a)sbcglobal.net wrote:
> yes, it happened Make DLP, that's where that message popped up
>
> Joel Pell
> Gallery Cinemas
>
>
>
>
> On Tue, Apr 17, 2018 at 6:09 PM -0400, "Carl Hetherington" <cth(a)carlh.net> wrote:
>
> Were you creating a new project? Adding content? Did you just click "Make
> DCP"?
>
> On Tue, 17 Apr 2018, Gallery Cinemas wrote:
>
> > Sorry, always worked fine for me. Then it didn't work. I deleted it and downloaded again, but got the same message
> >
> > Joel K. Pell
> >
> > Gallery Cinemas
> > 396 Old Hartford Rd.
> > Colchester, Ct. 06415
> >
> > tel: 860-537-6682
> > fax: 860-537-6645
> >
> > email: gallerycinemas(a)sbcglobal.net
> >
> >
> > On Tuesday, April 17, 2018 5:10 PM, Carl Hetherington wrote:
> >
> >
> > Hi there,
> >
> > Can you describe what you did that lead up to this error?
> >
> > Thank you,
> > Carl
> >
> > On Tue, 17 Apr 2018, Gallery Cinemas via DCPomatic wrote:
> >
> > >
> > > I am having issues with your program
> > >
> > >
> > >
> > > Could not make DLP
> > >
> > > Boost::Filesystem::Create_directory:Can not create a file when the file already exists:
> > >
> > > “C:\Users\Galle\onedrive\documents\”
> > >
> > >
> > >
> > > Sent from Mail for Windows 10
> > >
> > >
> > >
> > >
> > >
> >
> >
> >
> >
>
>
>
Were you creating a new project? Adding content? Did you just click "Make
DCP"?
On Tue, 17 Apr 2018, Gallery Cinemas wrote:
> Sorry, always worked fine for me. Then it didn't work. I deleted it and downloaded again, but got the same message
>
> Joel K. Pell
>
> Gallery Cinemas
> 396 Old Hartford Rd.
> Colchester, Ct. 06415
>
> tel: 860-537-6682
> fax: 860-537-6645
>
> email: gallerycinemas(a)sbcglobal.net
>
>
> On Tuesday, April 17, 2018 5:10 PM, Carl Hetherington <cth(a)carlh.net> wrote:
>
>
> Hi there,
>
> Can you describe what you did that lead up to this error?
>
> Thank you,
> Carl
>
> On Tue, 17 Apr 2018, Gallery Cinemas via DCPomatic wrote:
>
> >
> > I am having issues with your program
> >
> >
> >
> > Could not make DLP
> >
> > Boost::Filesystem::Create_directory:Can not create a file when the file already exists:
> >
> > “C:\Users\Galle\onedrive\documents\”
> >
> >
> >
> > Sent from Mail for Windows 10
> >
> >
> >
> >
> >
>
>
>
>
Hi there,
Can you describe what you did that lead up to this error?
Thank you,
Carl
On Tue, 17 Apr 2018, Gallery Cinemas via DCPomatic wrote:
>
> I am having issues with your program
>
>
>
> Could not make DLP
>
> Boost::Filesystem::Create_directory:Can not create a file when the file already exists:
>
> “C:\Users\Galle\onedrive\documents\”
>
>
>
> Sent from Mail for Windows 10
>
>
>
>
>
I am having issues with your program
Could not make DLP
Boost::Filesystem::Create_directory:Can not create a file when the file already exists:
“C:\Users\Galle\onedrive\documents\”
Sent from Mail for Windows 10
Hi,
I have a short un-encrypted DCP that passes my quality control tests and
plays in DCPomatic but won't ingest on a Sony Server or TMS. (I didn't
author it. It was authored by Clipster by a NY office of a major
distributor/ DCP authoring...the NY branch often has issues)
I'm wondering if it is possible to re-wrap the DCP in DCPomatic using the
DCP assets of the DCP I have...the assets seem good.
Thanks!
Joaquin
Hi,
Thanks so much for the free software - I will make sure we donate towards it.
I do have a question regarding the making of DCPs - we are struggling with creating them for a cinema. The bottom right hand side of the DCP when projected on to the screen curves up a little.
Could this be to do with not converting the DCP into the correct ratio or the fact the cinema has a curved screen?
For example a 1.78 ratio DCP has been made into 2.39 scope as I thought it selected them automatically.
I hope you can help me understand.
Best,
James
Discover.film
Somerset House, Strand
London WC2R 1LA
https://discover.film <https://discover.film/>
Hi all,
I compared the font size in a movie in DCPomatic Player to the same section
in another player (Neo-DCP) and noticed that they were not the same. I did
this test because in DCPomatic the subtitles of a Scope aspect ratio movie
were spilling outside of the image area. So I compared it in the other
player and the font size and position were much different and didn't fall
outside of the Scope image in the other player.
I was wondering if the specs for subtitles playback come from the xml in
the VF folder Dcpomatic Player?
Here are the specs for the subs on the DCP mentioned above:
" Font Color="FFFFFFFF" Weight="normal" Size="44" Effect="border"
EffectColor="FF000000" AspectAdjust="1.00"> "
Thanks so much!
Joaquin
Hi all,
I'm noticing that if there are multiple VF's on a DCP that there isn't a
way to choose which VF you want to watch. For instance as in the case I'm
looking at now, there is a Dutch language OV with a French subtitle VF and
an English subtitle VF but DCP-o-matic will only show the French sub
VF...but when I look at it on the server both VF's appear.
Another player that I sometimes use, Neo-DCP Player accomplishes this by
referring to the asset map which lists the various VF versions and allows
you to choose between them.
Is this something that might be possible in DCP-o-matic Player? That would
be great if so!
Thanks so much!
Joaquin
Hi newbie to Player here. I have been happily using Player in mac but I'm
working in Ubuntu 16.04 now and there is no download available...but I
heard you can build and launch Player from Terminal in Ubuntu. Any advice
on this?
Thanks!
Joaquin
Sir,
We are interested in installing DCP-o-matic on our machines in the lab in our department. Ideally, we would install it on at least 15 of the machines here. Is there a sort of site license that we could obtain for that? I understand that it’s technically freeware for individual users, I just thought I’d check to see if there was an institutional rate for your program.
Mark Dobson, M.F.A.
Media Technical Manager I
Department of Media Arts
University of North Texas
ofc:940/369/7317 fax:940/369/7838
mobile:940/343/5078
[id:image001.png@01D291C3.C454D5B0]
Hi!
I recently used DCP o matic on a short film. We tested the movie on the theater and for some reason it plays and sound in slow motion. Can you offer some information on this issue?
The projector was a DP2k 20C Texas Instrument DLP cinema
Thanks
JFJ
Sent from my iPhone
The paragraph directly below the one I sent you last time says this:
"Finally, as with video, you can choose Make DCP from the Jobs menu to
create your DCP. This will be much quicker than creating a DCP from a
video file, as DCP-o-matic only needs to encode a single frame which it
can then repeat. "
So: choose Make DCP and it will make your DCP.
On Thu, 22 Mar 2018, SOAP ZINE wrote:
> HI Carl,
>
> thank you!! I got it, but I can not save it. May I ask you also for this help?
>
> When I save it, there is is just: log and metadata.xml in ten folder.
>
> What I do wrong?
>
> I just add jpeg, set timing for 9 sec and save.
>
> Thank you very much
>
> Lukas
>
>
> ---
> Lukáš Holinka
> +420 739 09 43 00
> --
> INTRIKA DESIGN
> studio vizuální komunikace
> http://www.intrika.cz
> --
> WAFLESS – Bless For Less
> Jen limitované edice!
> http://www.wafless.com
>
> Dne 22-03-2018 16:25, Carl Hetherington napsal:
> > https://dcpomatic.com/manual/html/ch04.html
> >
> > Section 4.3. "The timing tab"
> >
> > "Enter the duration that you want and then click Set."
> >
> > On Thu, 22 Mar 2018, SOAP ZINE via DCPomatic wrote:
> >
> > > HI Iva,
> > >
> > > can you please help me, where I can set duration? I need just 10
> > > seconds.
> > >
> > > But I do no know, how I can add jpeg I did not find any button.
> > >
> > > My jpeg has 2048x1080 px
> > >
> > > Thank you very much,
> > >
> > > Lukas
> > >
> > >
> > > Dne 21-03-2018 20:00, iva_co napsal:
> > > > Hi, Soap.
> > > >
> > > > Of course you can. Just set duration for still pictures in prefences
> > > > and add your jpeg into your project
> > > >
> > > > _21 марта 2018, 19:42:42, от "SOAP ZINE via DCPomatic"
> > > > <dcpomatic(a)carlh.net>:_
> > > >
> > > >> Hello Carl,
> > > >>
> > > >> I would like to ask if is possible convert just static jpeg into DCP
> > > >>
> > > >> format in DCP omatic.
> > > >>
> > > >> Thank you for your help,
> > > >>
> > > >> Lukas
> > > >>
> > > >> --
> > > >> Lukáš Holinka
> > > >> +420 739 09 43 00
> > > >> --
> > > >> INTRIKA DESIGN
> > > >> studio vizuální komunikace
> > > >> http://www.intrika.cz [1]
> > > >> --
> > > >> WAFLESS – Bless For Less
> > > >> Jen limitované edice!
> > > >> http://www.wafless.com [2]
> > > >>
> > > >> _______________________________________________
> > > >> DCPomatic mailing list
> > > >> DCPomatic(a)carlh.net
> > > >> http://main.carlh.net/cgi-bin/mailman/listinfo/dcpomatic [3]
> > > >
> > > >
> > > > Links:
> > > > ------
> > > > [1] http://www.intrika.cz
> > > > [2] http://www.wafless.com
> > > > [3] http://main.carlh.net/cgi-bin/mailman/listinfo/dcpomatic
> > >
> > > _______________________________________________
> > > DCPomatic mailing list
> > > DCPomatic(a)carlh.net
> > > http://main.carlh.net/cgi-bin/mailman/listinfo/dcpomatic
> > >
>
Hi all,
Apologies for the spam that just made it onto the DCP-o-matic mailing
list.
This was due to a mistake on my part: my ISP has recently changed their
email server and I made some exim configuration changes to fix some
problems. These changes had the unintended consequence of bypassing
mailman's checks.
I have reported the mail to spamcop and fixed the exim configuration so it
should not happen again.
Sorry,
Carl
Dear Partner,
I trust you are well.
The opportunities are endless with Saudi Arabia having opened its doors to cinemas after 34 long years. There will be 300 cinemas with more than 2,000 screens by 2030, building an industry that would contribute more than 90bn Saudi riyals to the economy and create 30,000 permanent jobs over the same period.
Does your business have solutions or services that can help Saudi Arabia achieve this goal?
Be a part of the 4th Annual Theme Parks & Entertainment Development Forum (7-9 May | Dubai, UAE), to hear from top regional regulators and cinema giants on the opportunities and their immediate requirements to build world-class cinemas. Some of the key speakers include:
Dr. Hatem Samman, Advisor to CEO, General Authority for Entertainment, Saudi Arabia
Working on GEA's strategy to create considerable demand for entertainment opportunities
Cameron Mitchell, CEO, Majid Al Futtaim Cinemas and Majid Al Futtaim Leisure and Entertainment, UAE
Spearheading VOX Cinemas' strategic expansion into Saudi Arabia
Mounib Hammoud, Chief Executive Officer, Jeddah Economic Company, Saudi Arabia
Building the world's tallest building, the Jeddah Tower worth 1.2 billion USD which will feature world's highest observatory deck
Mishal Al Hokair, Deputy CEO & GM, Al Hokair Group, Saudi Arabia
Leading Al Hokair Group's entertainment strategy for over 79 entertainment centers in Saudi Arabia, signed an agreement with VUE cinema for 30 multiplexes
Mohammed R. Abaalkheil, Chief Digital and Marketing Officer, Arabian Centres, Saudi Arabia
Pioneering the cinema industry in the Kingdom
Jason Cole, Vice President, Mergers & Acquisitions and International Development, AMC Theaters, USA
Overseeing AMC partnership with the Saudi Arabia Public Investment Fund to bring cinemas to Saudi Arabia
Kuwait National Cinema Company (KNCC) and Dubai-based partner Front Row Entertainment announced a three-year plan for 12 multiplexes of their own in the oil-rich kingdom. The first 27 screens are intended to be up and running by the end of this year. Leading Kuwaiti developer Tamdeem, which owns KNCC, said in a statement that it is in advanced negotiations with an unnamed Saudi partner on a joint venture whose first three multiplexes would be located in the cities of Jeddah, Dammam, and Riyadh, the Saudi capital.
We have already confirmed VOX Cinema, Vue Cinema, AMC Theaters, Cinepolis, Cine Tech, Barco, Legacy, SCRABBLE (Christie & QubeWire) Cinemeccanica, Bardan Cinema (USA), CinemaNext/Ymagis, Ekran, IMMOTION and more, who are directly targeting the cinema sector.
Talk to me today on how we can create a platform for you to showcase your solutions and products. Please reply to me with a convenient date and time for us to speak and I will arrange for a call accordingly.
Regards,
Abhishek Ganapathy
Partnership Director, Middle East & Africa
IQPC Middle East
DL: +971 4 375 5883
Hello Carl,
I would like to ask if is possible convert just static jpeg into DCP
format in DCP omatic.
Thank you for your help,
Lukas
--
Lukáš Holinka
+420 739 09 43 00
--
INTRIKA DESIGN
studio vizuální komunikace
http://www.intrika.cz
--
WAFLESS – Bless For Less
Jen limitované edice!
http://www.wafless.com
Hi all,
2.11.77 is now available from here:
https://dcpomatic.com/test-download
and barring disasters this will be the release version 2.12.0. Any
last-minute testing would be welcome. The OS X version has had a bit of
"adjustment" in the last few days to get it past Gatekeeper so that in
particular needs a work-out!
Thank you,
Carl
Hi Carl and all.
I've just had a DCP rejected at QC by Motion Picture Solutions.
The film is being distributed by a major studio (though it's a one-day
release, so not as big a deal as that sounds, it's really not big
budget). Foolish of me to get involved - I knew they'd run the DCP
through a QC process which was going to be incredibly tight, and I did
fear a fail based on something nitpicky. And so it is. Damn me for just
trying to help out!
There's a wider issue about how it might advantage market leaders to
ensure that DCPs created with "unprofessional" tools like DCP-o-matic
are branded as "faulty". But that's a rant for another day!
Anyway, below are the details I've been given so far. Of course, if any
chance of a swift fix, that'd be great. But more importantly I hope this
may be an opportunity to harden DCP-o-matic and get it one step closer
to being viewed on the same level as the big boys.
Here's the info:
DCP made using DCP-o-matic 2.10.5 on Mac OS 10.12.6. 2K Flat, Interop,
24fps, 20 minute reels. Made from ProResHQ 1080p 25fps.
The DCP is encrypted. Signing and encryption keys are the ones DCPoM
made automatically.
The reason given by MPS for QC fail is:
/"The cpl has been incorrectly signed - UTF8 rather than ASN.1//
//
//The following flag occurred on ingest: Hashed OK, but with flags such
as these in Wailua://
//
//crt=mp+ROXiXhhwYBtsBVkeaURJZD5s=;String encoding of Issuer O is not
ASN.1 PRINTABLESTRING: "UTF8STRING"//
//
//Now, whilst not a major issue – I wanted to flag it with you. It will
play on most systems but there is a chance it may not on some
players/servers.//"/
I've asked for the full Wailua output. Will post it here if I get it.
Here is a link to the DCP-o-matic project folder + DCP (MXF files
removed for size): https://fil.email/VUGNrpkk
I've redacted the encryption key in metadata.xml and file paths in the
DCPoM log files. The title of the film is not redacted but I would ask
if everyone could please avoid mentioning it on the mailing list. I
don't want to cause anyone embarrassment.
Has anyone come up against this before?
Many thanks,
Jim
Hi all,
The stable release of DCP-o-matic is now in beta test; available from
here:
https://dcpomatic.com/test-download
I'm hoping to release within a week or two, providing nothing nasty comes
up. Please test any way you can and report bugs here, on Mantis or
directly to me.
Translation updates are still welcome of course!
All the best,
Carl
Anytime I try to put something onto DCP-o-matic it says "error could not
open" Just wondering if I am doing something wrong?
Thanks,
Nathan Stoker
Theater Manager
Six Shooter Showhall - Watford City
701-842-6859
Hi all,
Barring exceptional circumstances, DCP-o-matic is now in "string freeze"
for the 2.12.0 release. That means that no more translatable strings will
be added or changed. If you have the means to help with DCP-o-matic's
translations, now would be an excellent time to pitch in!
Full details of the translation process are here:
http://www.dcpomatic.com/i18n
Do not hesitate to ask me or the list if you have any problems.
Kind regards,
Carl
Hello,
Not that I really use that distribution, but on Ubuntu 17.10 when trying
to launch DOM-server I get :
> ASSERT INFO:
> ../src/gtk/bitmap.cpp(1329): assert "IsOk()" failed in GetPixbuf():
> invalid bitmap
>
> BACKTRACE:
> [1] wxBitmap::GetPixbuf() const
> [2] wxTaskBarIcon::Private::SetIcon()
> [3] wxTaskBarIcon::SetIcon(wxIcon const&, wxString const&)
> [4] wxEntry(int&, wchar_t**)
> [5] __libc_start_main
>
>
…something related with the way Ubuntu 17.10 handles - or does not
handle - tray icons ?
It's DOM 2.11.42 git 3b70dc77fb
Might be of any interest for later LTS Ubuntu version…
Best regards,
Gérald.
What a ride...
- Carsten
-------
Mitglied des Vorstandes
F-F Frechen-Film e.V., Lindenstr. 16, 50226 Frechen
VR 100477 Amtsgericht Köln
Vorsitzender des Vorstandes: Björn Goetze
www.frechen-film.de Ihr Kino in Frechen!
Hello,
I’m trying to snap an audio file into a video file making a DCP, but whenever I batch the files to get the DCP, I only get the audio file
Can someone please advise.
There is a compute thread setting in DOM that is used for J2K encoding.
In think one of the more recent code improvements was to do J2K DECODING while playing DCPs multithreaded as well. While I appreciate that I have 0 dropped frames in the player at 1/4 res, I notice that my 4core/HT MacBook only uses 4 threads while playing.
And even these are only loaded 50%. I am nearly sure this machine could do at least 1/2 res decoding, without dropped frames, if not full res.
Is there a way to improve this? How does the stand alone player decide how many threads to use? Or is OS X doing the thread distribution?
Wouldn't it be useful if DOM (main app) would use 1/4res when playing DCPs in preview as well, and per default? The preview window is probably not much larger in most working environments anyway.
- Carsten
Hi all,
We currently use DCP-o-matic 2 for creation, however, does anybody know if it's possible to ingest a DCP received from a third party so we can convert to a broadcast format such as ProRes?
Regards,
Chandeep
Hi Carl,
when would one want to change this setting? I have seen this coming up on the development status sidebar on the website a while ago, but thought it would only turn up in the prefs or metadata.xml to be changed manually, not within the prefs/GUI. Now I saw this in advanced prefs in 2.11.27
- Carsten
2.11.24 looks good with Dolby TrueHD streams, also 7.1. Although it starts recalculating the audio when I switch from 5.1 to 7.1 (12ch) DCP to see the BSL/BSR channels. Maybe it's better to include all available audio channels in the input file for analysis right from the start? Or maybe DOM does that already, but is false triggered towards a new analysis if the DCP audio arrangement is changed? No big deal for short pieces, but for full length features, it is annoying if another 20min analysis run is started, especially since R128 proves to be very useful now and I would advise everyone to do perform the full audio analysis.
It also appears as if calculating audio is now a lot faster than before (2.11.22) - at least for the 7.1 THD full length feature, it now only takes around 13min, compared to around 45min for the 5.1 ac3 version yesterday. Yes, the 5.1 ac3 analysis also computes much faster now with .24 - a mere 6min!
I notice that the more audio streams in the input file, the longer it takes - probably approx. the same time for each stream, or every single audio channel adds up. So it is certainly wise to only include the necessary streams in the MKV, or to extract unnecessary streams before with an MKV splitter.
While I understand it's busy at DOM-HQ, may I hint again at:
http://dcpomatic.com/mantis/view.php?id=835
because it is probably very easy to implement coloring the graph legend ;-)
- Carsten
Dear Carl,
I have downloaded software from https://dcpomatic.com/ . I don't know how
to convert the attached image files into dcp format using your software.
Could you please help me on this?
I look forward to hearing from you soon on this.
Thanks and Regards,
Thangasamy Bagavathiappan
*Managing Director *
SWAMY MOVIES LTD
Company Registration Number: NI625184
UK VAT Registration Number: 188 9009 61
Ireland VAT Registration Number: 3432326UH
10 Summer Meadows Mews
Londonderry - BT47 6SG
Ph No: +44 (0)2871310258
Mob No: +44 (0)7727064607
E-Mail: Thangasamy.Bagavathiappan(a)swamymovies.com <moviesswamy(a)gmail.com>
Website: www.swamymovies.co.uk
Disclaimer:
This e-mail contains proprietary information some or all of which may be
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or transmission error has misdirected this e-mail, please notify the author
by replying to this e-mail. If you are not the intended recipient you must
not use, disclose, distribute, copy, print, or rely on this e-mail.
Hello,
I love your program and works great with everything I’m doing for the Melbourne Film Festival that I’m presenting all the entries.
The issue I’m having is a video that was sent in that is a ProRes/.mov video that is 7.1 sound is not automatically populating the sound channels for DCP-O-Matic. Can you help me with this issue?
Billy Both
Cocoa, FL, USA
Sent from Mail for Windows 10
---
This email has been checked for viruses by AVG.
http://www.avg.com
Is there a file called "ffprobe.log" in your DCP-o-matic project folder?
On Wed, 20 Sep 2017, Billy Both wrote:
>
> Typically when I load in a video, the audio channels have a green mark indicating which channel will be encoded where is needs to go. When I load in this video, it doesn’t show any
> green marks except the center channel. When I analyze the audio, it only shows the center channel and non of the rest of the 7.1.
>
>
>
> Sent from Mail for Windows 10
>
>
>
> From: Carl Hetherington
> Sent: Wednesday, September 20, 2017 5:25 PM
> To: Billy Both
> Cc: Billy Both via DCPomatic
> Subject: Re: [DCP-o-matic] issue with prores file (.mov) not automaticallypopulating sound channels
>
>
>
> On Wed, 20 Sep 2017 17:19:51 -0400
>
> Billy Both via DCPomatic <dcpomatic(a)carlh.net> wrote:
>
>
>
> > Hello,
>
> >
>
> > I love your program and works great with everything I’m doing for the Melbourne Film Festival that I’m presenting all the entries.
>
> >
>
> > The issue I’m having is a video that was sent in that is a ProRes/.mov video that is 7.1 sound is not automatically populating the sound channels for DCP-O-Matic. Can you help me
> with this issue?
>
>
>
> Hi Billy,
>
>
>
> Can you clarify what you mean by "not automatically populating"? I'm not quite clear on it.
>
>
>
> Kind regards,
>
> Carl
>
>
>
>
> [icon-envelope-tick-green-avg-v1.png]
> Virus-free. www.avg.com
>
>
Am 18.09.2017 um 03:28 schrieb Joshua Achatz:
> I see the 'scale to:' tab, but i don't see 1.78 as an option. i shouldn't leave it at 16:9?
Which version of DOM are you using? 16:9 is the same as 1.78. I knew the Content->'Scale to fit menu' would come over us at one time... ;-)
These two options 'Scale to fit' are basically shortcuts to fill the screen in an easy way - but they usually cause cropping in an uncontrolled way. They should go under the list of other ScaleTo options, but for some reason at the time, there was no space there for it. It's been a while, but I remember no one was really happy with that solution.
Normally, DCP-o-matic detects the aspect ratio of footage automatically, if it is flagged correctly, and if there is no letterboxed content. So, in your case, DOM did probably select 16:9/1.78, and then all you need to do is to confirm the flat container under DCP as far as scaling/aspect ratio goes.
Some people say that 150MBit/s is enough. Yes, may be, but, the 'standard' spec goes up to 250MBit/s, and, with 30fps, you could need a bit more. Chances are high your footage doesn't need it, but as 16:9 is 'near' full frame, and at 30fps, just choose 200MBIt/s and then forget about that setting. If you're picky, use 235MBit/s, but don't try 250!
Yes, you need to crunch through the full file again if you changed the data rate, as that concerns every single frame from the beginning. DCP-o-matic should start encoding from scratch when you change the datarate, but it also could be a point for a nice little bug (I doubt it).
- Carsten
Am 17.09.2017 um 23:15 schrieb Joshua Achatz:
> Thanks for your help.
>
> How do I scale it to 16:9/1.78 and choose a flat container? Sorry, I'm just totally new to this stuff.
I assume you use 2.10.5?
Under 'DCP' choose 'SMPTE' for Standard, container 'Flat' (1998*1080) and for framerate '30fps', 200MBit/s for data rate.
Select your content in content list, then in the Content-> Video Tab -> Scale to: choose '1.78'. Reset all cropping values to 0 if there are any from previous experiments. You should see thin black bars left and right. Color conversion should automatically be set to rec709.
In Prefs->General, you should have ticked 'Find integrated loudness, true peak and loudness range when analysing audio'.
This will give you better numbers to estimate proper audio levels. Do you have a stereo or a surround/center based soundtrack?
Peak values will only indicate wether there is clipping or not. As far as clipping goes, -2.6 is okay. However, this doesn't tell you wether your audio loudness is in the right ballpark for a cinema. Usually, this is not so critical for festivals, but, you should still try to be within the range that is common for cinema operations.
Choose 'Audio'->Show graph of audio levels
Do you have a listing of True Peak, Integrated loudness and loudness range on the bottom of that window? Tell us the value for 'Integrated loudness'.
If there is no such value given, you probably performed the audio analysis before you ticked the advanded audio analysis in prefs. In that case, safe your project, exit DOM, got to the project folder, find and delete a folder 'analysis' within in. Restart DOM, reload your project, select 'Audio'->'Show graph of audio levels'. DOM should now take a bit longer to analyse the audio levels, and should show True Peak, Integrated loudness and loudness range.
- Carsten
Hi Carl,
I am using the DCP-omatic to convert my film for a festival. I'm having a
bit of trouble and hope you can help me.
It was shot in 30fps, but the programs says that is an unusual frame rate.
Should I change it to 24, and if so, do I just change it under the DCP tab?
I want to make sure the video quality won't be compromised. But it sounds
like it's okay to leave it at 30, from what I've heard.
The program is also advising that I create an SMPTE DCP instead of an
interop, because of the frame-rate. What is the difference? Should I do
that?
Also, under the DCP tab, I set the container to 16:9, but the program is
saying if possible to put it in scope or flat, but those aren't the right
size of my film, and leave those black edges on the sides of the picture.
Please help me if you could. I've been working on this for a few days, and
have to complete it soon for it to show in the festival.
Thank you!
Josh
hi all
it seems that my mac os x doesn’t allow to use your downloaded program due to the fact that the origin isn’t the apple store.
what can i do?
thx for your support and wish you a pleasant weekend
peter
Am 04.09.2017 um 13:03 schrieb Lennart Westman:
> Well well, Carsten.
>
> This is probably the. So stupid of me. I am waiting for the audio analysis to terminate, and then I’ll do as you said. Many thanks.
>
Audio analysis can take quite long, especially for full length features and on slower machines. If you are absolutely sure about your audio format and levels, you may disable audio analysis in prefs, so you can continue faster in DOM. You can always perform the analysis later when choosing 'Show audio' levels in content or DCP. Audio levels and channel mappings, however, are quite important for DCP playout in cinemas, so you should never give out a DCP without having done an analysis.
Unlike most other codec-only formats/containers, a DCP is more complex and more parameters have to be set properly, so a 'one-click-conversion' does not make much sense.
- Carsten
Hi,
I wonder if you might have any idea why a rendering process of an mp-4 to
DCP stops after analyzing the audio?
Kind regards
Lennart Westman
Composer, director and filmmaker
+46 70 459 23 93
<http://www.lennartwestman.st/> seethrough black_small
Hi! I can´t add the archive of subtitles when I create the DCP, I wold like why happened this.
Thank you
Laura Gracia Márquez
Dirección de Fotografía
Fuera de Campo Films
C/ Llenguadoc, 56-60. Bajo 1ª. 08030 Barcelona
Tlf: 93 126 63 85 | Mvl: 646 365 123
www.fueradecampofilms.com
aux.foto(a)fueradecampofilms.com
En virtud de lo establecido en la Ley 15/1999, y la LSSICE 34/2002, le informamos que sus datos forman parte de un fichero automatizado titularidad de Fuera de Campo Producciones S.L.
La información registrada se utilizará para informarle por cualquier medio electrónico de nuestras novedades comerciales. Puede ejercer los derechos de acceso, rectificación, cancelación y oposición en: C/ Llenguadoc, 56-60. Bajo 1ª. 08030 Barcelona. En cumplimiento de la Ley 34/2002 del 11 de julio, de Servicios de la Sociedad de la Información y de Comercio Electrónico, le informamos que puede revocar en cualquier momento, de forma sencilla y gratuita, el consentimiento para la recepción de correo electrónico enviando un e-mail con su solicitud a: info(a)fueradecampofilms.com
Este mensaje se dirige exclusivamente a su destinatario y puede contener información CONFIDENCIAL. Si ha recibido este mensaje por error, le rogamos que nos lo comunique inmediatamente por esta misma vía y proceda a su destrucción.
Antes de imprimir este e-mail piensa si es necesario.
About 4 fps in a 12-core MacPro, configured with the default 24 threads.
We have seen much better speeds in this same configuration.
Tested with MKV and Prores sources, with some image modifications, and
no modifications at all. Also tried on a network, with the MacPro as
an encoding server and the laptop with the project not doing any JP2K
encoding. Slightly lower speed as expected. The server log at the
MacPro was giving about 5 seconds per frame, tha seems pretty high to
me.
I recently installed the latest test version 2.11.16, and trying to
troubleshoot I tried with the also installed stable version from late
December, with same speed result.
Are OSX packages statically compiled? or installing the newer test
version may have "damaged" some library shared with the older version?
Anyone else have or had a similar problem?
Thanks!
Manuel AC
Hi
First of all: Thank you very much for your work on DCP-o-matic!!!
Im trying to install a second PC (Live image ISO) to accelerate the
rendering but I have difficulties: the master doesnt recognize the second
PC / encoding server, although it seem so be ready by indicating Offering
services to master 192.168.1.14 (which is the correct IP-address of the
master)
What do I do wrong?
Thanks für your help and kind regards
Martin
Zone 33 Martin Hofer
Cinema Design Realisation Integration Assistance
Kirchrain 37 CH-3232 Ins/Anet
T: +41 32 510 14 14 M: +41 79 218 25 24
F: +41 86 079 218 25 24 E: cinema(a)zone33.info
Hi
First of all: Thank you very much for your work on DCP-o-matic!!!
Im trying to install a second PC to accelerate de rendering but I have the
difficulty that the master doesnt recognize the second PC / encoding
server, although it seem so be ready by indicating Offering services to
master 192.168.1.14 (which is the correct IP-address of the master)
What do I do wrong?
Thanks für your help and kind regards
Martin
Zone 33 Martin Hofer
Cinema Design Realisation Integration Assistance
Kirchrain 37 CH-3232 Ins/Anet
T: +41 32 510 14 14 M: +41 79 218 25 24
F: +41 86 079 218 25 24 E: cinema(a)zone33.info
Hi Carl,
I have color graded a project in Resolve 12.5, color management is set to Rec.709 gamma 2.4, monitored the same on a Flanders. Taking it in to DCP-O-matic and I see the Rec.709 preset is locked at 2.2. If I change the gamma it changes the preset to BT1886. Is it safe to say this would be correct? I have seen debate as to whether BT1886 is the same as Rec709, but with a 2.4 gamma spec. I'm not an expert on this.
Thanks in advance and thank you for the work you do on this software.
Thanks
Todd Gilpin
Sent from my iPhone
> Am 06.08.2017 um 08:51 schrieb John Martin <John(a)trinitytheatre.net <mailto:John@trinitytheatre.net>>:
>
> Hi Carsten,
>
> Thanks – yes you are right it is a 24/25 framerate issue – although I am only using one file. However if I set it at 24 it plays on the projector fine – so problem solved! J
It’s a bit unusual that this happens with a single file. Normally, even when doing 24->25 or 25->24 fps, DCP-o-matic should adjust both video and audio accordingly to match from beginning to end.
If this happens again to you, it would be interesting to hear more details - file type, DOM version, maybe a copy of your metadata file.
- Carsten
Hi John,
approx one minute in 30min sounds like a 24/25fps issue. That IS usually no issue, you are free to generate a DCP with either 24 or 25 fps in both SMPTE or INTEROP format - except if you operate a Dolby DSS100/DSP100, which is not able to play 25fps. There are still quite a few DSS100/DSP100 around, so if there is a chance your DCP might end up on one of those, you should also create a 24fps version.
This should not occur with a single (interleaved video/audio) file of content, so I assume you use more than one content file?
- Carsten
> Am 31.07.2017 um 08:00 schrieb John Martin <John(a)trinitytheatre.net>:
>
> Hi Carsten,
>
> Thank you for coming back so quickly – the answer appears to be framerate – the software was prompting me to change it – but if I ignore that it remains the same length.
>
> I will test it when I am in the theatre today.
>
> Thanks again.
>
> Best regards
>
> John Martin
> Artistic Director
>
> Phone: 07762 587768
> Website: www.trinitytheatre.net <http://www.trinitytheatre.net/>
> Get more info at: <image001.png> <http://www.facebook.com/trinitytheatre/TRINITY-SRV01/Users/darren.smallman/…> <image002.png> <http://www.linkedin.com/company/trinity-theatre> <image003.png> <http://twitter.com/trinitytheatre>
>
> From: Carsten Kurz [mailto:audiovisual@t-online.de <mailto:audiovisual@t-online.de>]
> Sent: 30 July 2017 14:19
> To: John Martin; dcpomatic(a)carlh.net <mailto:dcpomatic@carlh.net>
> Subject: Re: [DCP-o-matic] DCP issue
>
> Open timeline view and check wether there is an overlapping/longer audio track, or subtitles. If any non-video track is longer than the video, DOM creates black to match overall length. This could also be caused by framerate changes.
> Are you sure that black is not part of the source content? If it is, you can apply trimming to get rid of it.
>
> - Carsten
>
> ... gesendet von unterwegs
>
> Am 30.07.2017 um 14:37 schrieb John Martin via DCPomatic <dcpomatic(a)carlh.net <mailto:dcpomatic@carlh.net>>:
>
> Hi,
>
> I am using DCP -o – matic to create a DCP from a video file that runs 30 minutes. In the authoring process it is adding an extra minute of black at the end.
>
> As this is part of a scheduled show it is causing problems with the timing of what comes afterwards as well as causing our projectionists to think that there has been some sort of failure!
>
> Would you know what is causing this and how I might solve the problem?
>
> I look forward to hearing from you.
>
>
> Best regards
>
> John Martin
> Artistic Director
>
> Phone: 07762 587768
> E-mail: john(a)trinitytheatre.net <mailto:john@trinitytheatre.net>
> Website: www.trinitytheatre.net <https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.trini…>
> Get more info at: <image001.png> <https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.faceb…> <image002.png> <https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.linke…> <image003.png> <https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Ftwitter.c…>
> <image004.jpg> <https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Ftrinityt…>
> Trinity Theatre, Church Road, Tunbridge Wells, Kent TN1 1JP.
> Switchboard: 01892 678 670. Box office: 01892 678678.
> enquiries(a)trinitytheatre.net <mailto:enquiries@trinitytheatre.net>
>
> <image006.png>Trinity Theatre and Arts Centre Ltd
> Registered Charity Number 1054547
> Registered Company Number 3179063
>
> This email and its attachments may be confidential and are intended solely for the use of the individual to whom it is addressed. Any views or opinions expressed are solely those of the author and do not necessarily represent those of Trinity Theatre.If you are not the intended recipient of this email and its attachments, you must take no action based upon them, nor must you copy or show them to anyone. Please contact the sender if you believe you have received this email in error.
>
> _______________________________________________
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Hi,
I am using DCP -o - matic to create a DCP from a video file that runs 30 minutes. In the authoring process it is adding an extra minute of black at the end.
As this is part of a scheduled show it is causing problems with the timing of what comes afterwards as well as causing our projectionists to think that there has been some sort of failure!
Would you know what is causing this and how I might solve the problem?
I look forward to hearing from you.
Best regards
John Martin
Artistic Director
Phone: 07762 587768
E-mail: john(a)trinitytheatre.net<mailto:john@trinitytheatre.net>
Website: www.trinitytheatre.net<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.trini…>
Get more info at: [icon_16_facebook] <https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.faceb…> [icon_16_linkedin] <https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.linke…> [icon_16_twitter] <https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Ftwitter.c…>
[One-Man-Email-Banner]<https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Ftrinityt…>
Trinity Theatre, Church Road, Tunbridge Wells, Kent TN1 1JP.
Switchboard: 01892 678 670. Box office: 01892 678678.
enquiries(a)trinitytheatre.net<mailto:enquiries@trinitytheatre.net>
[Description: Trinity Logo Magenta (WinCE)]Trinity Theatre and Arts Centre Ltd
Registered Charity Number 1054547
Registered Company Number 3179063
This email and its attachments may be confidential and are intended solely for the use of the individual to whom it is addressed. Any views or opinions expressed are solely those of the author and do not necessarily represent those of Trinity Theatre.If you are not the intended recipient of this email and its attachments, you must take no action based upon them, nor must you copy or show them to anyone. Please contact the sender if you believe you have received this email in error.
Hi,
I am shopping for purchase a solution to generate KDMS for bluray disk.
Please advice
Thanks!
Kiran Gogeneni
347 307 4457 (Mobile)Make your Acton's reflect your words
Hi…
…not the first time I do that but today I fail…
DCP-O-Matic 2.10.5 git 61b5d4ad8 on Ubuntu 14.04.
I have a dvd to convert to dcp.
First thing I did was concatenate the 4 vob into one file :
cat VTS_01_1.VOB VTS_01_2.VOB VTS_01_3.VOB VTS_01_4.VOB | ffmpeg -i -
brialy.mp4
Then I use some personal script to get some kind of 5.1 sound → file
becomes brialy_51.mov
Now in DCP-o-Matic conversion always stops @ same number of images (
about 4500 ).
There's some warning in log @ line 2407 FFmpeg: Warning: data is not
aligned! This can lead to a speedloss
Files attached are log, ffprobe.log andmy script for 5.1 upmix.
I suspect more has to be done regarding « concatenate » the vob into one
single.
Any hints / help welcome.
Best regards,
Gerald
The Desktop PC that we use to run DCP-o-matic just died (smoke started
pouring out of it actually) does anyone have recommendations on PC
specifications, or a make/model that they've had good luck with?
Thanks in Advance
J-sun Bailey
Hi all.
Every now I get a BD that needs to be converted to DCP, usually because the
content isn't out on DCP or it's a pre-release for a special screening of
some sorts.
This time the BD content actually has a Dolby TrueHD 7.1 track, which is
the obvious choice, as the screening is in a 7.1 room.
As I usually do, I create a mkv file with subtitles and the desired track
by using MakeMKV.
DOM sees both the subtitle track and the 7.1 audio track which I can then
map accordingly when I set ''12 - 7.1/HI/VI
However, when clicking the 'analyze audio' button, everything comes to a
halt.
After churning for 3 hours, the ETA was 273 hours! :D
That is somewhat excessive and I am thinking there might be a bug
somewhere, as I can see Carsten and others have mentioned in the forums
(DOM and Film-Tech) that they successfully have used Dolby TrueHD tracks in
their DCPs.
I'd rather not waste the time encoding the DCP if the levels are too high,
so maybe someone can comment on this behavior?
DOM v2.10.5
Win10 Pro
Best regards,
Jonathan
Hi
what to select as color space when converting something the filmmaker
announced as.
YUV422 10bit avi
If found lot's of info at [1] which is way beyond my knowledge on the
color spaces topic.
[1] https://en.wikipedia.org/wiki/YUV
--
Markus Kalb
Filmkreis an der TU Darmstadt
Filmfest Weiterstadt
Hi all.
I'm trying to make a DCP from a TIFF image sequence.
The post house providing the image sequence say that it's XYZ colour
space. But when I create a DCP from it, it comes out with a green tinge.
I've used colour conversion "none" setting and this is on DCP-o-matic
v2.10.5.
I don't have access to a projector, so am judging the success (or not)
of the conversion using two methods:
1. Viewing in Easy DCP Player demo
2. Converting DCP to ProResHQ Quicktime with ffmeg (ffmpeg -i j2c_...mxf
-c:v prores -profile:v 3 output.mov)
Here's an example still from the sequence:
http://www.cinebox.co/clock.tiff. The clock should be white but instead
has a green tinge.
I can see 4 possibilities:
1. DCP-o-matic is erroneously introducing a green hue
2. I'm using wrong settings in DCP-o-matic
3. My methods for viewing the resulting DCP aren't colour-accurate
4. The image sequence isn't in fact XYZ
Can anyone offer any suggestions?
Many thanks,
Jim
Dear,
We converted a video and via the program it showed that it was fine but
when we played it through the Projector it cut of some of the video via
sides.
We had wording on the sides of the video and it cut off.
The Video resolution was 2048x858.
Via the program we saved it via 2 types.
16x9 flat and full frame flat.(16x9 didn't cut but it went skew.
Our projector can display 2k.
Is there anyway of fixing this issue or converting it via a different scale
or anything we can do by our end.
Regards
Armand
Hello M. Hetherington,
Im working on a DISTRIBUTION platform and I need to create KDM, but I dont
know how to do this !
I see your free soft make what I need, so Im here to ask some help.
What is the algorithm for creating a KDM ??
Cordialement,
Clément LOIRE
4 Bis, Route des Jeunes
Case Postale 1165
CH - 1211 Genève 26
Switzerland
Tél : <tel:+41%2022%20301%2098%2021> +41(0)22 301.98.21
Fax : <tel:+41%2022%20343%2053%2047> +41(0)22 343.53.47
Email : c.loire(a)dcsolution.ch
Web : <http://www.dcsolution.ch/> www.dcsolution.ch
> Am 26.06.2017 um 01:12 schrieb John Irvin <andrewscinema(a)gmail.com>:
>
> GDC shows the content but wont let me load.
>
I suggest you take a step-by-step route: Try to create a simple 10s Interop DCP from a still image, no audio, no extras. Format a USB stick to FAT32 using the Macs Disk Utility. After DCP-o-matic finished creating the DCP, select ‚Show DCP‘ unter Jobs - the DCP folder will be highlighted.
Copy only this DCP folder (not DCP-o-matics project folder) to the USB stick, then try to ingest on the GDC.
- Carsten
I have doremi servers that load my content no issue.
I have one GDC sx3000 that I can't get it to load content at all. Any ideas
or suggestions on what I need to do?
> Am 19.06.2017 um 19:25 schrieb Gérald Maruccia <gerald.maruccia(a)yahoo.fr>:
>
> Hello,
>
> …am I looking at the wrong place ?
>
It should be ‚Ajouter‘ in your french GUI. You need to select multiple VOBs and use ‚Ajouter‘, or 'Join‘ in the english version.
Another software I regularly used for fixing stream inconsistencies is MPEG-Streamclip.
- Carsten
I'm testing 2.11.10 under Ubuntu 14.04
Most of the time having this error at the very end of hashes and all.
I get all the MXF but no XML.
Error: Programming error at ../src/lib/reelwriter.cc:403
Anyone else?
--
http://akadcp.com/https://www.facebook.com/akadcp
>
> I'm not having much success converting 3D clips into DCP. I have learned that some clips are simply 2D versions of 3D as you mentioned below and don't work. I have found some 3D clips that are 3D and have two panes of view, Left eye and Right eye. I have not successfully converted one of these yet. The file format is .m2ts like this one, https://www.demolandia.net/downloads.php?id=67931465 <https://www.demolandia.net/downloads.php?id=67931465>
>
> Once I was able to successfully complete a conversion without errors, but when I played it back from the DCP format, it played with two separate panes showing, left & right eye. What am I not doing, or not understanding with these 3D trailers?
I tried it and it seems the file is no problem (3d-lg-sports-highlight-(www.demolandia.net).m2ts)
- Create a new project
- add m2TS file
- under Content ->Video, choose ‚3D left/right‘
If you play preview already now, you should see the image stretched properly in the preview area, and while playing, you see a ‚jittering image‘, L and R plays frame consecutive.
Now, under DCP make a checkbox at ‚Video‘ - ‚3D'
The Left Eye/Right Eye selector will then become active below the preview image, and you can switch between left eye only and right eye only for preview. And the jitter goes away. Then hit ‚Make DCP‘.
So, in short words - you need to tell DCP-o-matic which 3D format your source is, and tell DCP-o-matic you actually want to create a 3D DCP.
- Carsten
> I'm not having much success converting 3D clips into DCP. I have learned that some clips are simply 2D versions of 3D as you mentioned below and don't work. I have found some 3D clips that are 3D and have two panes of view, Left eye and Right eye. I have not successfully converted one of these yet. The file format is .m2ts like this one, https://www.demolandia.net/downloads.php?id=67931465 <https://www.demolandia.net/downloads.php?id=67931465>
>
> Once I was able to successfully complete a conversion without errors, but when I played it back from the DCP format, it played with two separate panes showing, left & right eye. What am I not doing, or not understanding with these 3D trailers?
That appears to be a side-by-side 3D clip - left and right in one image. I assume you made yourself familiar with these types? You have to configure the proper content 3D type so DCO-o-matic knows where to look for the left and right side images in your content.
I’ll try this one and see wether it works for me...
- Carsten
> Am 08.06.2017 um 15:01 schrieb W Craig Jackson <info(a)fountainstonetheaters.com>:
>
> The source is 2d. I now know that DCP-o-matic can not create a 3D DCP from it.
>
> -Craig
I am not an expert on 2D-3D depth conversion, but from what I know, the material in that specific THX trailer wouldn’t work with automatic/software based conversions, as there are simply not enough distinct shapes/features in it to use for that sort of conversion (aside from the THX logo at the end).
I don’t know if THX ever offered native 3D versions of these trailers.
- Carsten
>
> http://thedigitaltheater.com/index.php/thx-trailers/ <http://thedigitaltheater.com/index.php/thx-trailers/> is the location of the source file (Eclipse Long).
>
Hi Craig,
this is not a 3D source file, but 2D. As such, DCP-o-matic can not create a 3D DCP from it. It can not do depth-conversion from 2D to 3D.
It can of course do a ‚flat‘ conversion, that is, create a 3D DCP that looks like 2D (L and R eye identical). But that makes no sense usually as most projection systems can play 2D and 3D content mixed anyway (doing the same thing, duplicating L/R on the fly during playout to keep the whole playlist in 3D mode).
- Carsten
Hi Carl,
I recently downloaded your DCP-O-Matic program and had success making 2D
DCP files, however, I am getting a Error 114 when attempting to make a
3D version. Any help would be greatly appreciated.
*
W Craig Jackson*/, //Fountain Stone Theaters/
Tel: (219) 866-5123|Mobile: (219) 819-9011
info(a)fountainstonetheaters.com|www.fountainstone.com
Hi Carl,
I hope you're well.
I did email you a while ago regarding encrypted DCPs but I've hit a new unrelated wall I'm hoping you can help with.
So I'm hoping to rip this crappy 30fps NTSC DVD that's 1:66:1 "floating" in a 16:9 container. I've done all the zoom ups, re-sized and re-edited the subs and my master MOV file is free of deinterlacing errors. I'm very happy with it....well, as happy as you can be from such a crappy source :-/
But here's the very weird thing. DCP'ing "creates" visible deinterlacing errors?? Ones not present (or atleast visible on the master file) but very pronounced on the DCP. [cid:image003.jpg@01D2DC72.F21C9E70]
I suspect it's picking up on imperfections in the image?? Never had this with DCP O'Matic before, it usually does the opposite and removes the imperfections??
The obvious suggestion is to re-encode using one of your de-interlacing filters...the trouble is that's what you're looking at above, the second pass with the first filter enabled :( All it seemed to do was smear the image.
Do you have any advice with this? I don't want to keep doing multiple passes and hit the same issues as sadly the film is feature length with no other masters available :(
Huge thanks as always. Feel free to add the Institute of Contemporary Arts in the UK to your impressive roster of clients. We're on the Mall, so you're (rightly) a stone's throw away from royalty now and deservedly so :)
Thanks again!
M A R C
Dear Carl,
First and foremost, thank you very much for your manual and generally your kind support.
Secondly, i have created for the first time a dcp and i am bit worried about the sound.In detail, you say at your manual
(7.2 Show audio) that 0dB represents full scale so if there is anything near this we are in danger of clipping the projector's audio inputs.What exactly are the dangers?And secondly i hava attached a print screen of my audio show.Could you please check it and if it is not good could you please advice me how to change it?
Thank you in advance,
| | Virus-free. www.avg.com |
Hello together,
sorry for taking your time. Perhaps you can answer me, if you are so kind.
Thank you very much.
We are using DCP-o-matic for a long time, exclusively till now for making
slides without audio tracks.
There were no problems. Just till now. After received error messages, we
uninstalled the whole program,
and we installed it new (site: dcpomatic.com).
After downloading and doing the whole procedure
(>executing>setup wizard>licence agreement>destination folder C:\Program
Files\DCP-o-matic 2>choose components)
there is a window with the error message: Error opening file for writing
(C:\Programfiles\DCP-o-matic2\bin\libintl-8.dll),
then the installing process doesn´t continue (Can´t write).
What´s wrong?
Perhaps there´s a little link for it, otherwise I have to instruct my system
supervisor to have a look.
Kind regards from Stuttgart.
Kinothek Stuttgart.
Asangstrasse 15.
70329 Stuttgart.
P.S. : Is it the problem to do a registration?
I used DCP-o-matic 1.79 2 years ago to successfully run a 3D convention
in the UK.
After 2 years I now have to do some more and loaded version 2.10.5
I am only trying to generate a test slide show of still images and where
version 1.79 rips through in no time version 2.10 is taking for ever.
It is as if it isn't realising it is using the same still image for all
240 frames of 10 seconds and doing the same calculations over and over
again which 1.79 certainly didn't appear to do, it distinctly did it for
one frame and quickly repeated it.
Is there a setting I need to change or is it a bug in some new code?
I am primarily using it on a MAC with OS-X 10.6.8
But I have just downloaded the latest version to a PC with Windows 10
and although it is 10 times quicker as a machine it still took 5 minutes
to generate a 6 image slideshow of 10 seconds each.
Any help appreciated.
Andrew
I just thought to test with 3D turned off on both content and output and
it behaves as I would expect creating the slide show in a matter of seconds.
I then tried 2D Content to 3D output which is quick
and 3D content to 2D output equally quick.
Changing the input scaling each time to force regeneration of the video
files.
Only 3D content to 3D output slows down and just munches through every
frame like its never seen it before.
Hope that helps, and may be explains why the bug has gone unnoticed,
there won't be many of us making 3D slide shows.
Andrew
I used DCP-o-matic 1.79 2 years ago to successfully run a 3D convention
in the UK.
After 2 years I now have to do some more and loaded version 2.10.5
I am only trying to generate a test slide show of still images and where
version 1.79 rips through in no time version 2.10 is taking for ever.
It is as if it isn't realising it is using the same still image for all
240 frames of 10 seconds and doing the same calculations over and over
again which 1.79 certainly didn't appear to do, it distinctly did it for
one frame and quickly repeated it.
Is there a setting I need to change or is it a bug in some new code?
I am primarily using it on a MAC with OS-X 10.6.8
But I have just downloaded the latest version to a PC with Windows 10
and although it is 10 times quicker as a machine it still took 5 minutes
to generate a 6 image slideshow of 10 seconds each.
Any help appreciated.
Andrew
_______________________________________________
DCPomatic mailing list
DCPomatic(a)carlh.net
http://main.carlh.net/cgi-bin/mailman/listinfo/dcpomatic
Okay, I tried a KDM created by KDM-Studio, and it didn’t work. Same result as with the KDMs created by DCP-o-matic directly.
I don’t create KDMs too often, so I had to rethink the whole process, here is what I did:
I had created the SONY as a screen in KDM Studio before.
For the same DCP-o-matic project I created SMPTE KDMs for, I created a DKDM using the certificate KDM-Studio provides. No complaints. I created a new screen in DCP-o-matic using this certificate, and created a KDM (DKDM) for it. I created a new production and booking in KDM Studio with this DKDM. I made sure all the windows fit.
Then issued KDMs, received them via email (see below), and ingested them on the Sony. Ingested the feature on the Sony. KDM was shown attached to the feature as in all my previous Sony tests. Tried to play - got the same result…
I will now try to replicate this same process with IOP.
- Carsten
> Anfang der weitergeleiteten Nachricht:
>
> Von: KDM Studio <delivery(a)dcptools.com>
> Betreff: KDM Delivery 'Test_SMPTE' 'Test für Sony' for 'Linden-Theater'
> Datum: 13. Mai 2017 um 18:50:38 MESZ
> An: audiovisual(a)t-online.de
> Antwort an: audiovisual(a)t-online.de
>
> <https://www.dcptools.com/>
>
> Dear Carsten Kurz,
>
> please find attached to this email your KDMs.
>
> The KDMs are valid for the following booking time frame:
> 13-05-2017 02:00 (Europe/Berlin Time zone) - 18-05-2017 02:00 (Europe/Berlin Time zone)
>
> The KDMs are issued for:
> Linden-Theater
>
> Release: Test-SMPTE
>
> Screens: Saal1, SonyAutoSerial
>
> KDMs are valid for the following configuration:
>
> Release: Test-SMPTE
>
> Screen: Saal1, Media Block: SN- (Sony manual upload 2017-03-17)
> Screen: SonyAutoSerial, Media Block: SN-1100047
>
>
> Please ingest the KDMs immediately to make sure that the content is free of errors and corruption.
>
>
> You can reach us at audiovisual(a)t-online.de <mailto:audiovisual@t-online.de>. Please include the name of the erroneous KDMs and the server certificate or serial number of your media block when requesting new KDMs.
>
> To ingest KDMs on common play-out servers please follow these instructions:
>
> Download the attached zipfile and extract all KDMs.
> Copy the extracted KDMs to any USB thumbdrive. Safely eject and remove the thumbdrive from your computer.
> Insert the thumbdrive with the key files to the front USB port on the play-out server (i.e. Doremi, Dolby, Kodak) where the Feature Presentation is loaded. Keys may also be ingested from the central library server (also sometimes referred to as the Library Management Server, or LMS).
> When the ingest window appears, please select all available keys and click on the Ingest button.
> Repeat the above steps for all servers that are used to play the Feature Presentation.
> With best regards,
>
> KDM Studio
>
> Attachments:
> k_TEST_SMPTE_FTR_Linden-Theater_20170513_20170518_AVS.zip
>
> powered by
> DCPTools KDM Studio
> www.dcptools.com <https://www.dcptools.com/products/kdm-studio/>
Okay, before I go to sleep, I want to say something: There is currently a limitation in DCP-o-matic concerning encrypted SMPTE DCPs that won’t play on Sony SRX-R515/510 systems. This bugs us for more than two years now. Or even since the 515 was launched.
You will not believe how much time/effort Carl (with some minor help of some other people) put’s into resolving this. Things like this typically go mostly unnoticed, because it doesn’t actually sell as a new feature. And all this while Carl, among other things, is working hard on implementing audio in preview, and DCP export.
So. Pleeeeeeeeeze! Donate! <http://dcpomatic.com/donate>
Good night, and good luck - Carsten
> Am 15.05.2017 um 04:19 schrieb Dave Taylor <davetaylor(a)berkeley.edu>:
>
> I do, what can I help with?
The full version gives details from a formal analysis. There is an issue with INTEROP VOLINDEX files that bothers DOM and OPEN DCP users who test their DCPs using easyDCP Player demo - the demo performs the formal analysis, but gives no details about that complaint. I would like to know what the current version says in detail about DOM created IOP DCPs.
So, if you find the time, just create a simple IOP DCP with the current stable release of DOM, open it in easyDCP Player, expand the log fully, and tell me what it says there. It should come out as a warning.
- Carsten
Hi Carl ,.. Thank you for all the time you've spent making
DCP-o-matic for the rest of us. It is gratefully appreciated.
I have a Final Cut Pro exported MXF file with video and audio. I
want to mute the audio then substitute a WAV file for the audio that's
in the Final Cut Pro MXF file.
I can Import the Final Cut Pro MXF and the WAV files into the DCP
film I'm making; and, I'm guessing I can go to the Audio map for the MXF
file and de-select everything. Then, select the WAV file, go to the
Audio Map for the WAV file and route the audio to the DCP channels ..
Will this do the trick? Or, is there a better way to mute the audio in
the MXF file and substitute the WAV audio for it?
When I look at the Audio map for the Final Cut Pro MXF file, it
comes out as a Single channel (Center) - and it doesn't sound like
Stereo. The WAV file - IS - Stereo, I can hear it. I wish I had 5.1
audio to work with but I had the audio Mastered as Stereo (this is
before I started to learn about DCP's from reading your DCP-o-matic
manual ..).
Also, the Timing of the MXF video and the WAV audio is sync'ed; so,
I think it should come out sync'ed in the DCP or will that change when I
make the DCP?
Please, let me know .. thank you ..
--
Allen Milford Vanik
Phoenix, Arizona USA
(602) 952-2771
allen(a)allenmilfordvanik.com
www.allenmilfordvanik.com