----- Original Message -----
From: Agostino
To: dcpomatic(a)carlh.net
Sent: Thursday, February 04, 2016 9:22 PM
Subject: Request of information
Use dcp-o-matic for many months and with great satisfaction to transform movies
and movie trailers to be screened in dcp.
Now I ask: a movie in dcp, both from other sites, both produced with dcp-o-matic,
i can play it back, to check it, on my computer before project it?
Sorry for my inexperience.
THANK YOU
agostinodallolio(a)alice.it
projectionist of cinema Vittoria - Loiano- Bologna-Italy
Hi. I've sent an encrypted interop DCP (to Berlin from US) to be screened
in a room using DVC Clipster. They are having problems with it, saying the
image is black and getting errors about the picture size and a mix of
interop and SMPTE elements. Everything passes validation on our end and
plays fine on easyDCP player. We've tried multiple keys, but that didn't
seem to be the issue.
Any ideas on what is going on? Has anyone loaded a DOM DCP into a clipster
before... are they compatible?
-- Parke
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Parke Gregg
Colorist/Editor/Project Finisher
Stuck On On
www.stuckonon.com
512.535.4760
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Just noticed this section http://dcpomatic.com/compatibility actually
missing quite a few combinations.
Maybe a matrix server vs. projector will be easier to read? Of course
the important information will hide in the footnote exceptions ;)
To be added:
DCP-2K4 -> Barco DP2K-10S
DCP-2K4 -> Barco DP2K-8S
IMS1000 -> Barco DP2K-10S
Alchemy -> Barco DP2K-10S
I'm copying my partner, she should be able to add a few other
combinations of Doremi IMB, GDC, etc.
Manuel AC
haha, up came my idea of adding shortcuts/plugins to DOM.
E.g. The Hateful Eight release triggers many requests for intermission DCPs of various length. Doing these in j2k would eat up much space (even if the DCP could probably be compressed very efficiently for transport if you keep the background simple).
So I just thought that an intermission DCP could be done much more space efficient using subtitles. Would also be very easy to have a basic framework with a countdown clock, and add different languages for 'Intermission'.
And then once we are there, why couldn't DCP-o-matic do it directly with, sort of a 'plugin'? And would there be other useful plugins for standard jobs?
- Carsten
Yes, I know, I am they guy who always voted to keep DCP-o-matic to the bare essentials and not pile up endless functions
That said, an intermission DCP generator could be a nice webbased application, especially since using subtitles, the resulting files would be small for download.
Just type in your catch-phrase or upload a background image, then download the resulting intermission DCP.
Hello to all and thanks for this wonderful gem called DCP-o-matic.
We used it in three different cinemas with no problems but now we had the
following error while ingesting a DCP on a Doremi server:
File size 8735 is incorrect (should be 8659)
Any ideas how to solve it?
Thanks,
Filippo
--
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x t
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Hi Guys
Anyone can move all databases of Screen in DCP O-matic KDM Creator to
another PC?
Please tell me, I anticipate if my PC problem. Thank you.
--
*Aditya*
+62811700073
http://www.indodcptools.com
*Your Cinema Solution*
Hi everyone,
wondering who is using the Scale to fit width/Scale to fit height feature on a regular basis, or so to say, intentionally?
I thought about these options very often now (probably too often), and I can't get a grip on it.
In my work with DCP-o-matic, I never saw a need to use it.
I thought I could get a better idea if I'd just play around with it, but it doesn't seem to react in a way that allows me to see through.
E.g., when I select content and then choose either option, it applies a change to scaling/cropping once, but then doesn't revert back if I choose the other option. In my current trial, it presets a crop factor, I can reset that manually, yes. But it uses the same crop values for both Scale to fit width AND height?
Initially I thought these options would express the implementation of non-standard-aspect rations in the sense of the DCI/SMPTE standards:
One or both dimensions of a custom size container always needs to be the same as a full container - e.g. either vertical 1080 or horizontal 2048 (or their 4k counterparts).
But that doesn't seem to be the case?
Is it just a shortcut to two prominent scaling options?
Do these options still make sense since DOM is choosing default scaling for content based on content aspect ratio for a good while now?
The reason I am so picky about this is, I'm doing the german translation, and I have a hard time finding a good translation if I don't understand it...
Anyone?
- Carsten
Hi
We´ve a circuit in Spain with 110 screens, we work with DCPoMatic from midle
2015.
We tested all version of DCPOMATIC.
I´ve donated L 25 GBP
Thanks for all
Best regards
DESIDERIO M. GARCÍA RAMÍREZ RESPONSABLE DE SOPORTE Y DEPARTAMENTO TÉCNICO
MK2 Cines-Sur, S.L.U Calle Góngora, 6 Primera Planta 14008 Córdoba
(: +34 680 96 72 97
<http://www.cinesur.com/> Descripción: cinesurmk2
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Hi,
I exported my footage on 8 bit YUV settings.
I am wondering which color conversion setting I should be choosing ?
Hope to hear from you guys soon.
Thanks.
Regards,
Jason
Hi Guys
I try send the KDM via email to my second email for testing only, but there
is a warning logon denied. And I get an email like this
"Someone just tried to sign in to your Google Account indodcp(a)gmail.com of
applications that do not meet modern safety standards."
please tell me what I should do?
thanks for the help.
www.indodcptools.com
Hello
Im from Indonesia.
Where can i get the certificate of Chrisitie IMB & Barco Achlemy? Please
help me.
Thanks
Sent from Android
www.indodcptools.com
After completing a DCP I am receiving an error code (-36) regarding the
.mxf file when trying to transfer the DCP to another drive. This is what it
says:
"The Finder can’t complete the operation because some data in
“185_2K_3bd4865283be77b711939e805fd8429d_24_100000000_P_S_0_9152000.mxf”
can’t be read or written.
(Error code -36)"
I have also attached a picture of the error message.
--
Travis Mills
Director/CEO of Running Wild Films <http://www.runningwildfilms.com/>
Our latest film starring Tom Sizemore, Durant's Never Closes
<http://durantsnevercloses.com/>
"Like" Running Wild Films on Facebook
<http://www.facebook.com/runningwildfilms>
480.593.9059
I was just wondering - how can I see the status of the encode server in Ubuntu (using 14.04LTS) with the dcpomatic2_server? I can see it easily enough using Windows, but...
Also, is there a point to the dcpomatic2_server vs dcpomatic2_server_cli ? I set the dcpomatic2_server_cli to autostart and open in a terminal window outputting to stdout (so I can see it operating), so I am covered on that end, but they are just idle thoughts that I thought I'd ask.
Is anyone using the test version 2.6.10 to make content that is being played on-screen? Have there been any hiccups? I have installed 2.6.3, but I am suitably enticed by the idea of a up to 20% increase in encoding due to OpenJPEG changes.
Is there a consideration of being able to 'turn on' the master server as an encode server from within DCPoM? I didn't catch on until I looked at the log after my three computer test, to see that it had 22 lines, as opposed to the single machine one that contains thousands. I simply ran the encode server on the master as well as DCPoM itself, and that is not a problem (just put the encode server in the Startup folder), but I was simply wondering.
Finally, is there any way to find out what the overall fps for the encoding was (not necessarily per encoding server, although that might be neat) being stored in the log? I understand that I can simply calculate number of frames divided by number of seconds that encoding took, but I like to keep the logs to determine how it's all doing.
Note: none of this email is something that shows a problem. I'm just trying to get answers for people before I am asked, and they are questions that I would ask.
I do want to know the thing about the test version vs the stable version though. (Up to) 20% is not easily ignored, now is it?
Have a great day,
Leslie Hartmier
Anfang der weitergeleiteten E-Mail:
> Von: Carl Hetherington <cth(a)carlh.net>
> Datum: 21. Dezember 2015 22:36:38 MEZ
> An: Carsten Kurz <audiovisual(a)t-online.de>
> Betreff: Re: Bug: Make DCP in Batch Converter
>
> Hi Carsten,
>
> Should be fixed in 2.6.8...
Yup. Now put down yer Keyboard and grant yourself some days of rest, Carl!
Great achievements on v2.x this year!
Merry Xmas, peaceful holidays, whatever applies, to everyone on this list (and to everyone else, too...).
- Carsten
>
> On Thu, 17 Dec 2015 11:58:00 +0100
> Carsten Kurz <audiovisual(a)t-online.de> wrote:
>
>> Hi Carl,
>>
>> same issue as on the Mac in 2.6.7 WIN64, even if the batch converter
>> is already running.
>>
Hi all,
There's a user on the forum who is getting
"Failed to refresh DCPs of Library Server, the items in the DCP (Name of
DCP) isnt found un Assest Map."
when loading a VF (with just subtitles) over an OV DCP.
This seems strange. I can't see anywhere that suggests that the
*referenced* assets in a VF should be included in its ASSETMAP, and
EasyDCP Creator doesn't include them.
Does anyone have any clue about what the Sony's problem is here?
Thanks!
Carl
Hi. I have a DCP I made last week, but I need to replace the audio. Is
there a relatively fast way to replace the audio without starting over from
scratch?
I just tried making a new DCP and adding the original picture MXF as the
source, and this works, but was giving me a frame rate of 1.8 f/s on making
the new DCP. That would be about a 24 hour process and it would probably be
faster to just start over.
Thanks!
-Parke
--
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Parke Gregg
Colorist/Editor/Project Finisher
Stuck On On
www.stuckonon.com
512.535.4760
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Hi. This topic has been discussed on the forum, but I was wondering if any
of you have had DCPs work on Sony gear? I tested a 4K & 2K, encrypted & non
on Sony RX320 and 515 and all failed to play on both projectors. These were
SMPTE DCPs.
Has anyone had luck on these systems?
Do you think Interop would maybe work instead?
Thanks!
-Parke
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Parke Gregg
Colorist/Editor/Project Finisher
Stuck On On
www.stuckonon.com
512.535.4760
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
There have been some recent additions to the Digital Cinema Naming convention.
The train is going towards CPL metadata, but the DCNC will be in use for quite a while I guess.
One recent addition to both DCNC and CPL Metadata is:
---
Subtitles are either generated in the theatre by the Digital Cinema projector, or are burned into the image by the studio. If the Language Code is UPPER CASE, the sub-titles are generated in real time by the projector. If the Language Code is lower case, the subtitles are burned into the image already.
---
Carl - what has become of my idea to put a clickable link to
http://digitalcinemanamingconvention.com/ into DOM ISDCF details GUI section (both preferences and DCP tab)?
- Carsten