Hi Carl
I am Ramon Bochaca from Galacticat Fantastic Film Festival.
We will screen some films next june and I need to put spanish subtitles in some dcps so I asked the labs they send me the dcps with DKDM so I can open it in dcp-o-matic and put our subs.
>From ARRI they are asking me the certificate for the DKDM.
Does dcp-o-matic have a certificate for this cases?
Thanks
Ramon Bochaca, sots-director
ramon(a)circusa.com mailto:ramon@circusa.com
699 480 255
Mostra de Cinema Fantàstic de Ponent - Galacticat
Producció Mitjans AV, Circuit Urgellenc S.A.
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Hi
I cannot find a good workflow for making OV and VF(s) from MKV
containing audio, video and subtitles.
If I do the OV (containing only audio and video) first I am having
trouble adding the subtitles later following the steps described in the
manual (https://dcpomatic.com/manual/html/ch17.html).
I do the folowing
1. New project
2. Add the OV DCP
3. Select "Split by video content" in reel type
4. Checking "Use this DCP..." in both video and audio tab
5. Add the MKV containing the subtitles (and audio+video from which the
OV was made)
Now the MKV is added to the timeline at the end of the DCP (all three
tracks).
So now I want to get the subtitles aligned with the DCP.
In the timeline view I drag the MKV content on top of the DCP content
and then click on some of the tracks.
Now one of two things happens:
1. DOM crashes with: "An exception occurred: Programming error at
../src/lib/butler.cc:133 Butler video buffers reached 480 frames
(audio is 0)."
2. DOM refuses to let me use DCP video ad audio: "Cannot reference this
DCP: it overlaps other video content; remove the other content"
Okay, my thinking is: I need to remove the audio and video track of the MKV:
1. In timeline view I separate the DCP and MKV again and remove the MKV
audio track successfully (right-click and Remove).
2. I try to do the same for the video track, but then both video AND
subtitle track is removed (and the MKV is removed from the content
listing)
So...what is a good workflow to make an OV with no subs and a VF with
subs from a MKV?
Cheers,
Christian (using DOM 2.14.2 on Ubuntu 18.04)
Hi,
In the manual at https://dcpomatic.com/manual/html/ch16.html#idp41 the
button "Add folder" is referenced several times - Is it really the
correct button? I would have thought the "Add DCP..." button was the one
to use?!?
/Christian
Am 22.03.2019 um 19:36 schrieb cjflynn(a)digitaltesttools.com:
> Carsten, hello
>
>
> Playback was a bit surprising on my 4.2 GHz Intel Core i7 5K 27 inch Retina iMac.
>
Yes, that is similar to my experience with a 5k iMac. That's why I think the HighRes Retina Display of the MacBook Pro is the cause. You would probably need to set the window size very small to get a better playback performance. It's exaggerated on the Retina MacBook Pro as it offers a native 2560/1600 resolution on a 15" display, so, a better performing window size will result in a tiny video size. I'm still not sure if the actual video viewport resolution is the problem, as I can play half decode-res (999/540) in full screen on my older 15"/1440/900 MBP without any dropped frames, which would still be an acceptable viewport size on the much faster Retina Mac Book.
But, as that Retina machine even has trouble previewing the BBB source file in near-SD resolution in dcp-o-matic main, there must be something about the current display method causing this.
Carl is working on some hardware accelerated display method (e.g. OpenGL), but that's not ready for primetime, and it may be complicated to support it multi-platform (even though OpenGL is supported on all three common platforms). Maybe it is not the actual video output, but the color conversion? But that should strongly benefit from a faster CPU as between my older 4core MBP and that most recent 6core, but, the results do not cover that assumption.
I was trying to get Carl to set the video display optionally to the same size (or integer mutiples) of the actual decoded resolution, so to avoid scaling. Using the mouse and window resize elements, it is impossible to set it to a specific viewport resolution like 999/540 for half-flat.
So far, he hasn't been triggered by that idea. Maybe he missed it where I mentioned it. Maybe I should file a Mantis entry for it.
I am a bit concerned for that bad playback performance making it into 2.14 stable, as I notice many beginners are irritated about the dropped frames when testing their DCPs. Especially since Apple is nearly exclusively sold on those very high res displays now. Usually users can tweak it after some instruction about decode resolution and window size, but, as I saw it on that popular current MBP15", it can't be tweaked to a satisfying result.
- Carsten
The DCP-o-matic project is proud to announce the release of DCP-o-matic
2.14.0.
Just over a year has passed since the last major release, and in that time
many bugs have been fixed and new features added in over 1000 commits to
our source code repository.
The highlights of 2.14.0 include:
- support for closed captioning
- support for bitmapped (PNG timed-text) subtitles
- optional "simple" mode with a cut-down interface
- significant performance improvements in the player
The DCP-o-matic project's workforce consists of one primary developer and
several other enthusiastic testers and translators. It is entirely funded
by voluntary contributions. Please consider making a donation to the
project!
If you are a business, and would like to contribute, get in touch with
carl(a)dcpomatic.com and I can provide you with an invoice.
DCP-o-matic 2.14.0 is available for immediate download from
dcpomatic.com/download
For help with DCP-o-matic, head to dcpomatic.com/help or tweet @dcpomatic
All the best,
Carl
Hello
I have tried DOM KDM creator. It is good soft
But generating KDM is not fully correct. Some IMB works, some not.
We have for creating KDM: Qube Master Pro, EasyDCP and Clipster and they
don’t have any problem with KDM
But your solution better in delivery part, because it does automatically
And I have question
How can it use with web GUI?
We would like to build some workflow for commercial use
Thanks
Sorry for my English))
Hi Carl.I have some doubts / problems of the DCPs with subtitles ....1. I export subtitles with FAB and SUBTITLE EDIT, and something I do not do well because I have several problems with size, position, ... There is some guide to learn how to export correctly and avoid these problems.2. If we put subtitles in a DCP can 2 "playlist" be made, 1 to watch the video with subtitles and 2 to see the same movie without subtitles? How should I do it?
Thank you very much and greetings
Jordi Miró
Hi Carl - I just downloaded your DCP-o-matic! I am trying to convert a mp4
file to a DCP file, but I am not allowed to start with my MP4 as you can
see from the attached screenshot. I have looked in the tutorials, forums,
FAQs, etc. and can't find this specific issue.
Can you please help me? I am not the most tech-savvy person on the planet
but I am pretty sure I can figure this out if I can just get my file
imported!
I'd also like to be added to the mailing list.
Thank you so much,
Kelly Marshall
During a recent workshop, one of the participants was using a 2018 MacBook Pro, 15" Retina (see screenshot). It uses a nice 6coreHT i7-8850H CPU at 2.6GHz base clock. We were very disappointed with DCP-o-matic's player performance, as even at quarter resolution decoding, it skipped very many frames. We disabled an antivirus software, but no change. I ran through BigBuckBunny to compare encoding speed with my older MacBook Pro, and the CPU/system itself is doing fine, 12.5fps during encoding, which is similar to what other 6coreHT CPUs yield. The machine is running Mojave/10.14.
My personal non-retina 15" MacBook pro uses an older 4coreHT CPU, Sierra/10.12, and encodes BigBuckBunny at half the speed, yet playback performance in player is far better - it plays 25fps at half 2k decoding resolution without any skipped frames.
I reduced the display resolution, because the Retina display has a very high resolution, and currently, DCP-o-matic player has a weak point in pushing the video to the display. That didn't solve the issue either (not the slightest bit). I noticed though, when I encoded BigBuckBunny, that DCP-o-matic wasn't even able to playback the preview of the original source video without stuttering. We tried both 2.12.20 and 2.13.132.
I still believe this has something to do with the display addressing. The filmmaker of course is very disappointed because she paid quite a bunch of $ for this machine.
Did anyone experience something similar on his machine? Unfortunately, there was only limited time during the workshop to analyze the issue, and I don't know anyone personally with a similar machine.
Carl - you mentioned a prototype open-gl output module - could you make a beta version of the player available to see if that is an immediate improvement?
I noticed something interesting on that machine - activity monitor shows only 6 of the 12 HT cores being active during playback in player. Usually, I would think that this would show a weakness with the multithreaded J2K decoder - however, if there is another bottleneck with the actual display process, that could as well mean that the J2K decoder is idling because the display process is too slow in asking for more frames?
- Carsten
Hello!
Can you a recommend me a system requirement for PC, where is installed
DCP-O-Matic?
We need a biggest speed for convert to DCP. A large number of feature films
for the festival. What is best OS for this program, Windows or Linux?
I need a buy PC for speediest converting.
Tnaks!
____________________________________________
Yours faithfully,
Movie Systems Engineer
Ivan Ipatov
tel .: +7 (914) -975-23-76
Russia Federation, 690091
Vladivostok, Primorye
Svetlanskaya 31 St
The network of cinemas "Illuzion"
The cinema "Ocean IMAX". Russia, Vladivostok, 21955
Hi all,
With commit aa4fa75 I'll put DCP-o-matic into "string freeze" until
2.14.0 is released. That means I won't change any of the translatable
strings until then.
This would be a great time for all you lovely translators to update the
translations for DCP-o-matic!
Many of the current translations have significant gaps, as you can see by
checking:
https://dcpomatic.com/i18n
Any help that you can provide is very much appreciated :)
Do let me know if there's anything I can help with. Also, if you intend
to provide translations but haven't got the time, at the moment, do let me
know so I can plan my releases accordingly.
Kind regards,
Carl
Hello, my friend! I have been reading the website and trying to find an
answer to 5.1 mix.
I have a ProRes 4444 XQ with embed 5.1. After I created the DCP I checked
playback in Resolve and all audio channels are present. They all have audio
and are playing. In theater, I am only getting the center channel. Please
help as I have a movie premiere in 1 week. Thank you!
It may have gone by unnoticed (there's a final thread on the dcp-o-matic forum), but, Carl finally solved the issue of encrypted SMPTE DCPs not working on Sony systems.
While it turned out that this was actually a mistake in the Sony server software, Carl was able to fix it in his code as well. Sony has corrected that behaviour in Sony SRX-R51x and SRX-R81x projection systems from software 1.54 up. We did, however, still receive complaints from people who weren't able to control software updates for their target Sony systems, and thus we insisted to solve this issue from within DCP-o-matic as well.
While originally targeted at enabling encrypted SMPTE DCP playback (unencrypted SMPTE or encrypted/unencrypted Interop had no problems), the fix also enables proper verification and validation of all DCPs created by DCP-o-matic on Sony systems, so, no more 'NG/NO' flags in the DCP library. Aside from encrypted SMPTE DCPs, this never caused actual problems, but, especially for beginners, it was an ongoing reason for distrust and discomfort. Some other DCP mastering tools had to solve the same issue when encrypted SMPTE was demanded before Sony 1.54 came out.
The fix is contained in all test versions of dcp-o-matic from 2.13.108 up, and will of cause be in the upcoming 2.14 stable versions.
Regards, and thanks to Carl for not giving up on this. That issue caused by Sony was stupid enough to take much more of Carls time than normally needed for such a trivial bug. Glad it's over. It is also another important step in making SMPTE DCP the default for dcp-o-matic in future releases. Though not yet for 2.14 I think.
As far as I can guess, 2.15 test versions will see editable SMPTE DCP CPL metadata (e.g. markers) and also the step to create SMPTE DCP by default.
As some of you may know, the worldwide transition from Interop to SMPTE DCPs is taking place in 2019, and into 2020 for some areas.
Interop will of cause still be supported by both mastering tools and DCI projection equipment for the forseeable future.
If you're interested in the details, read here:
https://dcpomatic.com/forum/viewtopic.php?f=2&t=1214
- Carsten
Hello Carl,
thanks for creating such a great piece of software,is there any way to
adjust the volume of a DCP? we tried to play the DCP on one of our
projectors but the volume was much too loud. the video is an ad so and will
be played next to other ads and trailers so we cant adjust the volume on
our server or else it would affect everything else. any help here would be
greatly appreciated! thanks.
-Aaron
Hi Carl
My name is Ton Rookachat producer of The Rocket 2013.
Just come across your software today. We have been using openDCP.
I like to offer help in future, please let me know if you need some assistance from Australia or Thailand.
My background is in programming but now produce digital films. And love making DCP,
Also teach at Bangkok University.
I find very good information from your “colour conversion for dcp” as well.
My web www.inux64.com
My official email Triphetrookachat(a)gmail.com
Will buy you beers when you visit Thailand...
Regards
Ton Rookachat
13 Ramkhamhaeng 22
Bangkok 10240
Thailand
HQ
111 London cct
Canberra ACT 2615
Australia
ส่งจาก iPad ของฉัน
Hi,
Is there an option to generate an encrypted DCP using CLI? I did not find in the documentation. Else, is there a trick to do such operation via CLI?
Thanks in advance for your help,
Wunderbarb
Hi all,
This is a bit of a long shot but maybe someone can help.
I'm trying to help somebody make a KDM for Cineworld Glasgow Silverburn
screen 11, which appears to be a dual-projector ATMOS room.
We have the certificates for two TI ICPs and an Doremi IMB, and an example
KDM for this screen.
The IMB and ONE of the ICP certs make sense, but the fingerprint of the
other trusted device in the working KDM does not match the other ICP cert
(if you see what I mean).
Can anybody shed any light here? Won't the ATMOS processor (CP850?) also
require a certificate in the trusted device list?
Thanks for any insights.
Carl
Hi
When i'm trying to make a kdm key to my DCP clip i get this message
"Error - invalid/unauthorized clip signature"
It's working on some of the auditoriums.
We got DSS200 and Cat. No. 745
Hi all.
Is there any way to force re-encoding of a DCP? We have a DCP which has
an illegally high bitrate, and would like to re-process it to re-encode
the frames at a lower bitrate.
Usually, where you don't alter the image (crop, colour conversion etc)
DCP-o-matic is clever enough just to repackage the original J2K frames
without re-encoding. But is there any way to force it to do a re-encode?
Or can anyone suggest a workaround? A good way to export to an image
sequence and then re-import that for example?
Many thanks,
Jim