Hi
what to select as color space when converting something the filmmaker
announced as.
YUV422 10bit avi
If found lot's of info at [1] which is way beyond my knowledge on the
color spaces topic.
[1] https://en.wikipedia.org/wiki/YUV
--
Markus Kalb
Filmkreis an der TU Darmstadt
Filmfest Weiterstadt
Hi all.
I'm trying to make a DCP from a TIFF image sequence.
The post house providing the image sequence say that it's XYZ colour
space. But when I create a DCP from it, it comes out with a green tinge.
I've used colour conversion "none" setting and this is on DCP-o-matic
v2.10.5.
I don't have access to a projector, so am judging the success (or not)
of the conversion using two methods:
1. Viewing in Easy DCP Player demo
2. Converting DCP to ProResHQ Quicktime with ffmeg (ffmpeg -i j2c_...mxf
-c:v prores -profile:v 3 output.mov)
Here's an example still from the sequence:
http://www.cinebox.co/clock.tiff. The clock should be white but instead
has a green tinge.
I can see 4 possibilities:
1. DCP-o-matic is erroneously introducing a green hue
2. I'm using wrong settings in DCP-o-matic
3. My methods for viewing the resulting DCP aren't colour-accurate
4. The image sequence isn't in fact XYZ
Can anyone offer any suggestions?
Many thanks,
Jim
Dear,
We converted a video and via the program it showed that it was fine but
when we played it through the Projector it cut of some of the video via
sides.
We had wording on the sides of the video and it cut off.
The Video resolution was 2048x858.
Via the program we saved it via 2 types.
16x9 flat and full frame flat.(16x9 didn't cut but it went skew.
Our projector can display 2k.
Is there anyway of fixing this issue or converting it via a different scale
or anything we can do by our end.
Regards
Armand
Hello M. Hetherington,
Im working on a DISTRIBUTION platform and I need to create KDM, but I dont
know how to do this !
I see your free soft make what I need, so Im here to ask some help.
What is the algorithm for creating a KDM ??
Cordialement,
Clément LOIRE
4 Bis, Route des Jeunes
Case Postale 1165
CH - 1211 Genève 26
Switzerland
Tél : <tel:+41%2022%20301%2098%2021> +41(0)22 301.98.21
Fax : <tel:+41%2022%20343%2053%2047> +41(0)22 343.53.47
Email : c.loire(a)dcsolution.ch
Web : <http://www.dcsolution.ch/> www.dcsolution.ch
> Am 26.06.2017 um 01:12 schrieb John Irvin <andrewscinema(a)gmail.com>:
>
> GDC shows the content but wont let me load.
>
I suggest you take a step-by-step route: Try to create a simple 10s Interop DCP from a still image, no audio, no extras. Format a USB stick to FAT32 using the Macs Disk Utility. After DCP-o-matic finished creating the DCP, select ‚Show DCP‘ unter Jobs - the DCP folder will be highlighted.
Copy only this DCP folder (not DCP-o-matics project folder) to the USB stick, then try to ingest on the GDC.
- Carsten
I have doremi servers that load my content no issue.
I have one GDC sx3000 that I can't get it to load content at all. Any ideas
or suggestions on what I need to do?
> Am 19.06.2017 um 19:25 schrieb Gérald Maruccia <gerald.maruccia(a)yahoo.fr>:
>
> Hello,
>
> …am I looking at the wrong place ?
>
It should be ‚Ajouter‘ in your french GUI. You need to select multiple VOBs and use ‚Ajouter‘, or 'Join‘ in the english version.
Another software I regularly used for fixing stream inconsistencies is MPEG-Streamclip.
- Carsten
I'm testing 2.11.10 under Ubuntu 14.04
Most of the time having this error at the very end of hashes and all.
I get all the MXF but no XML.
Error: Programming error at ../src/lib/reelwriter.cc:403
Anyone else?
--
http://akadcp.com/https://www.facebook.com/akadcp
>
> I'm not having much success converting 3D clips into DCP. I have learned that some clips are simply 2D versions of 3D as you mentioned below and don't work. I have found some 3D clips that are 3D and have two panes of view, Left eye and Right eye. I have not successfully converted one of these yet. The file format is .m2ts like this one, https://www.demolandia.net/downloads.php?id=67931465 <https://www.demolandia.net/downloads.php?id=67931465>
>
> Once I was able to successfully complete a conversion without errors, but when I played it back from the DCP format, it played with two separate panes showing, left & right eye. What am I not doing, or not understanding with these 3D trailers?
I tried it and it seems the file is no problem (3d-lg-sports-highlight-(www.demolandia.net).m2ts)
- Create a new project
- add m2TS file
- under Content ->Video, choose ‚3D left/right‘
If you play preview already now, you should see the image stretched properly in the preview area, and while playing, you see a ‚jittering image‘, L and R plays frame consecutive.
Now, under DCP make a checkbox at ‚Video‘ - ‚3D'
The Left Eye/Right Eye selector will then become active below the preview image, and you can switch between left eye only and right eye only for preview. And the jitter goes away. Then hit ‚Make DCP‘.
So, in short words - you need to tell DCP-o-matic which 3D format your source is, and tell DCP-o-matic you actually want to create a 3D DCP.
- Carsten
> I'm not having much success converting 3D clips into DCP. I have learned that some clips are simply 2D versions of 3D as you mentioned below and don't work. I have found some 3D clips that are 3D and have two panes of view, Left eye and Right eye. I have not successfully converted one of these yet. The file format is .m2ts like this one, https://www.demolandia.net/downloads.php?id=67931465 <https://www.demolandia.net/downloads.php?id=67931465>
>
> Once I was able to successfully complete a conversion without errors, but when I played it back from the DCP format, it played with two separate panes showing, left & right eye. What am I not doing, or not understanding with these 3D trailers?
That appears to be a side-by-side 3D clip - left and right in one image. I assume you made yourself familiar with these types? You have to configure the proper content 3D type so DCO-o-matic knows where to look for the left and right side images in your content.
I’ll try this one and see wether it works for me...
- Carsten
> Am 08.06.2017 um 15:01 schrieb W Craig Jackson <info(a)fountainstonetheaters.com>:
>
> The source is 2d. I now know that DCP-o-matic can not create a 3D DCP from it.
>
> -Craig
I am not an expert on 2D-3D depth conversion, but from what I know, the material in that specific THX trailer wouldn’t work with automatic/software based conversions, as there are simply not enough distinct shapes/features in it to use for that sort of conversion (aside from the THX logo at the end).
I don’t know if THX ever offered native 3D versions of these trailers.
- Carsten
>
> http://thedigitaltheater.com/index.php/thx-trailers/ <http://thedigitaltheater.com/index.php/thx-trailers/> is the location of the source file (Eclipse Long).
>
Hi Craig,
this is not a 3D source file, but 2D. As such, DCP-o-matic can not create a 3D DCP from it. It can not do depth-conversion from 2D to 3D.
It can of course do a ‚flat‘ conversion, that is, create a 3D DCP that looks like 2D (L and R eye identical). But that makes no sense usually as most projection systems can play 2D and 3D content mixed anyway (doing the same thing, duplicating L/R on the fly during playout to keep the whole playlist in 3D mode).
- Carsten
Hi Carl,
I recently downloaded your DCP-O-Matic program and had success making 2D
DCP files, however, I am getting a Error 114 when attempting to make a
3D version. Any help would be greatly appreciated.
*
W Craig Jackson*/, //Fountain Stone Theaters/
Tel: (219) 866-5123|Mobile: (219) 819-9011
info(a)fountainstonetheaters.com|www.fountainstone.com
Hi Carl,
I hope you're well.
I did email you a while ago regarding encrypted DCPs but I've hit a new unrelated wall I'm hoping you can help with.
So I'm hoping to rip this crappy 30fps NTSC DVD that's 1:66:1 "floating" in a 16:9 container. I've done all the zoom ups, re-sized and re-edited the subs and my master MOV file is free of deinterlacing errors. I'm very happy with it....well, as happy as you can be from such a crappy source :-/
But here's the very weird thing. DCP'ing "creates" visible deinterlacing errors?? Ones not present (or atleast visible on the master file) but very pronounced on the DCP. [cid:image003.jpg@01D2DC72.F21C9E70]
I suspect it's picking up on imperfections in the image?? Never had this with DCP O'Matic before, it usually does the opposite and removes the imperfections??
The obvious suggestion is to re-encode using one of your de-interlacing filters...the trouble is that's what you're looking at above, the second pass with the first filter enabled :( All it seemed to do was smear the image.
Do you have any advice with this? I don't want to keep doing multiple passes and hit the same issues as sadly the film is feature length with no other masters available :(
Huge thanks as always. Feel free to add the Institute of Contemporary Arts in the UK to your impressive roster of clients. We're on the Mall, so you're (rightly) a stone's throw away from royalty now and deservedly so :)
Thanks again!
M A R C
Dear Carl,
First and foremost, thank you very much for your manual and generally your kind support.
Secondly, i have created for the first time a dcp and i am bit worried about the sound.In detail, you say at your manual
(7.2 Show audio) that 0dB represents full scale so if there is anything near this we are in danger of clipping the projector's audio inputs.What exactly are the dangers?And secondly i hava attached a print screen of my audio show.Could you please check it and if it is not good could you please advice me how to change it?
Thank you in advance,
| | Virus-free. www.avg.com |
Hello together,
sorry for taking your time. Perhaps you can answer me, if you are so kind.
Thank you very much.
We are using DCP-o-matic for a long time, exclusively till now for making
slides without audio tracks.
There were no problems. Just till now. After received error messages, we
uninstalled the whole program,
and we installed it new (site: dcpomatic.com).
After downloading and doing the whole procedure
(>executing>setup wizard>licence agreement>destination folder C:\Program
Files\DCP-o-matic 2>choose components)
there is a window with the error message: Error opening file for writing
(C:\Programfiles\DCP-o-matic2\bin\libintl-8.dll),
then the installing process doesn´t continue (Can´t write).
What´s wrong?
Perhaps there´s a little link for it, otherwise I have to instruct my system
supervisor to have a look.
Kind regards from Stuttgart.
Kinothek Stuttgart.
Asangstrasse 15.
70329 Stuttgart.
P.S. : Is it the problem to do a registration?
I used DCP-o-matic 1.79 2 years ago to successfully run a 3D convention
in the UK.
After 2 years I now have to do some more and loaded version 2.10.5
I am only trying to generate a test slide show of still images and where
version 1.79 rips through in no time version 2.10 is taking for ever.
It is as if it isn't realising it is using the same still image for all
240 frames of 10 seconds and doing the same calculations over and over
again which 1.79 certainly didn't appear to do, it distinctly did it for
one frame and quickly repeated it.
Is there a setting I need to change or is it a bug in some new code?
I am primarily using it on a MAC with OS-X 10.6.8
But I have just downloaded the latest version to a PC with Windows 10
and although it is 10 times quicker as a machine it still took 5 minutes
to generate a 6 image slideshow of 10 seconds each.
Any help appreciated.
Andrew
I just thought to test with 3D turned off on both content and output and
it behaves as I would expect creating the slide show in a matter of seconds.
I then tried 2D Content to 3D output which is quick
and 3D content to 2D output equally quick.
Changing the input scaling each time to force regeneration of the video
files.
Only 3D content to 3D output slows down and just munches through every
frame like its never seen it before.
Hope that helps, and may be explains why the bug has gone unnoticed,
there won't be many of us making 3D slide shows.
Andrew
I used DCP-o-matic 1.79 2 years ago to successfully run a 3D convention
in the UK.
After 2 years I now have to do some more and loaded version 2.10.5
I am only trying to generate a test slide show of still images and where
version 1.79 rips through in no time version 2.10 is taking for ever.
It is as if it isn't realising it is using the same still image for all
240 frames of 10 seconds and doing the same calculations over and over
again which 1.79 certainly didn't appear to do, it distinctly did it for
one frame and quickly repeated it.
Is there a setting I need to change or is it a bug in some new code?
I am primarily using it on a MAC with OS-X 10.6.8
But I have just downloaded the latest version to a PC with Windows 10
and although it is 10 times quicker as a machine it still took 5 minutes
to generate a 6 image slideshow of 10 seconds each.
Any help appreciated.
Andrew
_______________________________________________
DCPomatic mailing list
DCPomatic(a)carlh.net
http://main.carlh.net/cgi-bin/mailman/listinfo/dcpomatic
Okay, I tried a KDM created by KDM-Studio, and it didn’t work. Same result as with the KDMs created by DCP-o-matic directly.
I don’t create KDMs too often, so I had to rethink the whole process, here is what I did:
I had created the SONY as a screen in KDM Studio before.
For the same DCP-o-matic project I created SMPTE KDMs for, I created a DKDM using the certificate KDM-Studio provides. No complaints. I created a new screen in DCP-o-matic using this certificate, and created a KDM (DKDM) for it. I created a new production and booking in KDM Studio with this DKDM. I made sure all the windows fit.
Then issued KDMs, received them via email (see below), and ingested them on the Sony. Ingested the feature on the Sony. KDM was shown attached to the feature as in all my previous Sony tests. Tried to play - got the same result…
I will now try to replicate this same process with IOP.
- Carsten
> Anfang der weitergeleiteten Nachricht:
>
> Von: KDM Studio <delivery(a)dcptools.com>
> Betreff: KDM Delivery 'Test_SMPTE' 'Test für Sony' for 'Linden-Theater'
> Datum: 13. Mai 2017 um 18:50:38 MESZ
> An: audiovisual(a)t-online.de
> Antwort an: audiovisual(a)t-online.de
>
> <https://www.dcptools.com/>
>
> Dear Carsten Kurz,
>
> please find attached to this email your KDMs.
>
> The KDMs are valid for the following booking time frame:
> 13-05-2017 02:00 (Europe/Berlin Time zone) - 18-05-2017 02:00 (Europe/Berlin Time zone)
>
> The KDMs are issued for:
> Linden-Theater
>
> Release: Test-SMPTE
>
> Screens: Saal1, SonyAutoSerial
>
> KDMs are valid for the following configuration:
>
> Release: Test-SMPTE
>
> Screen: Saal1, Media Block: SN- (Sony manual upload 2017-03-17)
> Screen: SonyAutoSerial, Media Block: SN-1100047
>
>
> Please ingest the KDMs immediately to make sure that the content is free of errors and corruption.
>
>
> You can reach us at audiovisual(a)t-online.de <mailto:audiovisual@t-online.de>. Please include the name of the erroneous KDMs and the server certificate or serial number of your media block when requesting new KDMs.
>
> To ingest KDMs on common play-out servers please follow these instructions:
>
> Download the attached zipfile and extract all KDMs.
> Copy the extracted KDMs to any USB thumbdrive. Safely eject and remove the thumbdrive from your computer.
> Insert the thumbdrive with the key files to the front USB port on the play-out server (i.e. Doremi, Dolby, Kodak) where the Feature Presentation is loaded. Keys may also be ingested from the central library server (also sometimes referred to as the Library Management Server, or LMS).
> When the ingest window appears, please select all available keys and click on the Ingest button.
> Repeat the above steps for all servers that are used to play the Feature Presentation.
> With best regards,
>
> KDM Studio
>
> Attachments:
> k_TEST_SMPTE_FTR_Linden-Theater_20170513_20170518_AVS.zip
>
> powered by
> DCPTools KDM Studio
> www.dcptools.com <https://www.dcptools.com/products/kdm-studio/>
Okay, before I go to sleep, I want to say something: There is currently a limitation in DCP-o-matic concerning encrypted SMPTE DCPs that won’t play on Sony SRX-R515/510 systems. This bugs us for more than two years now. Or even since the 515 was launched.
You will not believe how much time/effort Carl (with some minor help of some other people) put’s into resolving this. Things like this typically go mostly unnoticed, because it doesn’t actually sell as a new feature. And all this while Carl, among other things, is working hard on implementing audio in preview, and DCP export.
So. Pleeeeeeeeeze! Donate! <http://dcpomatic.com/donate>
Good night, and good luck - Carsten
> Am 15.05.2017 um 04:19 schrieb Dave Taylor <davetaylor(a)berkeley.edu>:
>
> I do, what can I help with?
The full version gives details from a formal analysis. There is an issue with INTEROP VOLINDEX files that bothers DOM and OPEN DCP users who test their DCPs using easyDCP Player demo - the demo performs the formal analysis, but gives no details about that complaint. I would like to know what the current version says in detail about DOM created IOP DCPs.
So, if you find the time, just create a simple IOP DCP with the current stable release of DOM, open it in easyDCP Player, expand the log fully, and tell me what it says there. It should come out as a warning.
- Carsten
Hi Carl ,.. Thank you for all the time you've spent making
DCP-o-matic for the rest of us. It is gratefully appreciated.
I have a Final Cut Pro exported MXF file with video and audio. I
want to mute the audio then substitute a WAV file for the audio that's
in the Final Cut Pro MXF file.
I can Import the Final Cut Pro MXF and the WAV files into the DCP
film I'm making; and, I'm guessing I can go to the Audio map for the MXF
file and de-select everything. Then, select the WAV file, go to the
Audio Map for the WAV file and route the audio to the DCP channels ..
Will this do the trick? Or, is there a better way to mute the audio in
the MXF file and substitute the WAV audio for it?
When I look at the Audio map for the Final Cut Pro MXF file, it
comes out as a Single channel (Center) - and it doesn't sound like
Stereo. The WAV file - IS - Stereo, I can hear it. I wish I had 5.1
audio to work with but I had the audio Mastered as Stereo (this is
before I started to learn about DCP's from reading your DCP-o-matic
manual ..).
Also, the Timing of the MXF video and the WAV audio is sync'ed; so,
I think it should come out sync'ed in the DCP or will that change when I
make the DCP?
Please, let me know .. thank you ..
--
Allen Milford Vanik
Phoenix, Arizona USA
(602) 952-2771
allen(a)allenmilfordvanik.com
www.allenmilfordvanik.com