Cool, so do I use different version numbers so it created multiple DCP
directories.
Still takes a few hous to ingest off USB2 but guess if I do a lot ofd this
getting one of the fast interfaces would be a good idea. Dont suppose you
know the cheapest way to do this?
Ben
On 7 August 2014 19:11, Carsten Kurz <audiovisual(a)t-online.de> wrote:
Am 07.08.2014 um 20:02 schrieb Ben Edwards:
Carsten,
Yes it was -1db, I was going to max of -12db tand this seemed correct
but I think
I miinterpreted something.
Yes, you have to read the VU graph properly, it has a range of different
parameters and a single peak level may not give you the full picture.
I usually suggest to create two or three DCPs with different audio levels.
You can name them accordingly, att6 att12, att18 etc. Then try them at the
cinema to find a suitable setting (and ask the cinema for their average
fader setting for testing).
When creating multiple DCPs from the same source footage with only the
audio settings changed, DCP-o-matic will recognize that the picture track
is not changed, so it will NOT reencode the image for another 16hrs, but
just copy the existing image data and recreate the audio. That goes much
faster.
- Carsten
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