That information should be provided from the colorist who did the grade. For instance my grading monitor is set up to Rec. 709, with a 2.2 Gamma. So any master that I export for a DCP, that will be the color space and gamma.

Tom Rovak - Executive Producer / Sr. Colorist / Post Production Supervisor
ROVAK COLORIST SERVICES
A Division Of The Annex Studios
Commercials, Feature Films, Music Videos, Long Form

Color Correction, Dailies, Editorial, Finish/VFX
trovak@comcast.net
(815)690-8323
Website / Commercial Reel: http://colorist-rovak.com/

From: "Andreas Eli" <andreaseli.kino@gmail.com>
To: dcpomatic@carlh.net
Sent: Friday, October 10, 2014 10:52:24 AM
Subject: [DCP-o-matic] Color Space Rec 709 or sRGB

Hello!

I think this question has been asked before, but I am still not comfortable with it. I understand the difference between these two color spaces, but how do I know what to choose when working with DCP o Matic?

How can I check the color space of a video file?

And what do I do if I do not know it?

When working with HD Material, is Rec 709 the common color space?

When I export from Premiere to Avi uncompressed, TIFF sequence or H264, how do I know what the color space is?

Any answer is appreciated!

Thanks

Andi

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