I think I've read that here http://dcimovies.com/specification/DCI_DCSS_v12_with_errata_2012-1010.pdf

155 pages...

In case of mono I might go for a C+LFE which sounds more "natural" to me (I think most of Woody Allen' movies, dcp or 35mm, have only Center channel)

You'll have to provide 4 silent tracks for channels 1,2,5 and 6.

Le 16/05/2013 18:53, Carsten Kurz a écrit :

Am 16.05.2013 um 17:31 schrieb Gérald Maruccia:

There has to be an even number of tracks.

Is that true? In that case the only way to make a 'proper' mono DCP of a classic, one would have to create at least a 4track DCP with three silent channels?

Or would a C+L/R or C+LFE work?

I remember a discussion on Film-Tech about the fact that a lot of commercial mono classic releases seem to be issued in L/R Dual-Mono, which is plain wrong...

- Carsten
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