Hi there,
Sorry I lost track of this question for a while!
Hi Carl thanks for the info!
The film is currently a DPX sequence in Resolve that was rendered in
P3 colour space already. My DCP program doesn’t allow me to
passthrough the file as is, without performing an XYZ transform…which
means I just need to make sure the DCP output looks the same as the
DPX sequence.
If I export TIFFs from Resolve with an XYZ LUT applied, the DCP
program will end up doing it again - so that’s XYZ conversion done
TWICE, which I want to avoid.
Are you talking about using DCP-o-matic here? I'm a bit confused.
With new versions of DCP-o-matic you can turn off colourspace
conversion, so you could import XYZ and keep it the same for the DCP.
Am I misunderstanding?
Cheers,
Carl
I found this site:
http://www.brucelindbloom.com/index.html?Eqn_RGB_XYZ_Matrix.html
…and given the info Carsten sent through I could make it…IF I
understood how to do this kind of maths!
If I can figure out the maths - I could make it work! So CLOSE!!!
On 15 Oct 2014, at 14:38, Carl Hetherington <cth(a)carlh.net> wrote:
---------- Forwarded message ----------
Date: Wed, 15 Oct 2014 15:03:08 +0200
From: Carsten Kurz <audiovisual(a)t-online.de>
To: DCP-o-matic carlh net <DCPomatic(a)carlh.net>
Subject: Re: [DCP-o-matic] P3 to XYZ conversion matrix
Maybe this helps in creating a matrix:
DCI-P3
Gamma 2.6
White point
x 0.314
y 0.351
Red
x 0.680
y 0.320
Green
x 0.265
y 0.690
Blue
x 0.150
y 0.060
From what I understand now, xyz is the storage format within
the DCP, while P3 is the color space used by DCI projector itself.
When a server plays a DCP, it transmits xyz to the projector. The
projector will convert to and show P3.
In a grading situation with a projector connected directly to
the grading workstation for realtime playout, the xyz conversion is
omited and P3 is played directly from the grading workstation into
the projector. A DCI projector therefore needs at least two different
input profiles - P3 1:1, or xyz->P3.
Now if you say you have a file sitting in P3 color space - what
does that mean? Is it the color space associated with the editing
project, or do you have a file rendered out in P3 - if so, which
container/codec?
- Carsten
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