Thanks, sounds like 24fps is the way to go. Have not been able to find out
which server the festival it has been accepted for will use and the DCP may
well be used for other unknown places.
Sounds like creating 2 versions is not really needed. Also looks like if I
simply change the frame rate in DCP tab it will not change the name of the
DCP so I guess I would have to tag the framerate on the end of the name.
Creating different version with different level audio was mentioned
earlier. If I do 24 and 25 will DCPOMatic need to do all its work again,
am wonerting if changing the version changes the name of DCP.
Thanks for everyones help,
Ben
On 9 August 2014 00:43, Carsten Kurz <audiovisual(a)t-online.de> wrote:
Am 09.08.2014 um 01:27 schrieb Ben Edwards:
Sounds not ideal, so it would be best to use premiere or something like
that to do the frame rate conversion.
Optical flow or any other interpolation scheme will never give nice
results for a 25 to 24 fps conversion. 25/24 slow down or 24/25 speed-up is
an internationally accepted production standard even for high end
productions.
Is playing stuff slowly supported by DCP standards?
What DCP-o-matic delivers will be a proper 24fps DCP and no-one watching
it is able to tell that it was 25fps before. Delivering 25fps content to a
cinema I would consider more of a problem.
Are you sure you will distribute this DCP to other cinemas with unknown
capabilities? Then make it 24fps. Will you only play it on your local
screen with known 25fps capability? Then leave it at 25 fps.
The best thing to do is to make two DCPs with either frame rate, copy both
to the distribution drive and let the cinema decide.
- Carsten
Ben
On 8 August 2014 23:40, Magnus Eriksson <telegrafverket(a)gmail.com> wrote:
Dolby DSS/DSP100 does not support 25/30 fps
regardless of software
version. Are there any more stubborn players out there?
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<https://twitter.com/funkytwig>iContact Community Video
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