Thanks for that. Looks like I will create a 2 versions. A 25FTS SMPTE and
a 24FPS IOP. Does this sound sensible? Seem to cover most bases.
If I create one, then change the fps and SMPTE/IOP settings and create a
second DCP I assume it will create 2 DCP directories, will it have to
totally re-encore?
Lastly it looks like the DCP name does not show the FPS, should I change
the name. First time calling it filmename_25fps and then filmname_24fts.
Will It totally re-encode if I do this?
Ben
On 9 August 2014 13:16, Carsten Kurz <audiovisual(a)t-online.de> wrote:
Am 09.08.2014 um 13:59 schrieb Ben Edwards:
I am confused, one minute I am being told it will not be notable, the next
that is will "change the pitch and the tonality of the voices and
music. ". This is kind of what my googeling also seemed to reveal.
There seem to be two camps;(.
Not really ;-)
Resampling is no problem to do in good quality, but it leaves the sound
with a 25/24 pitch change. If you also want to pitch-correct the resampled
audio, you need a higher quality approach. However, a small change like the
one needed for 24/25 is usually unnoticeable. It get's more complicated
with larger pitch changes, and typically you would want to resort to
external tools using special algorithms. Music is typically more
complicated to pitch correct than dialog.
Did you ever notice strange audio, pitched audio, etc. on any cinema
presentations, DVDs, BluRays, etc.? No? Then you shouldn't care, because
this technique is used widely for most entertainment content. As you are
living in europe, which is a 25/50Hz country, you will be exposed to this
every day when watching/listening entertainment media, at home or in cinema.
As you have your audio in separate files, you could play with it easily
using external tools like Audacity, Audition, etc.
Always trust your own eyes and ears.
The best way, of course, is to produce in 24fps/48KHz right away if aimed
for cinema.
- Carsten
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