The differences are very subtle on my cheap and uncalibrated monitors.
In fact I can only see them if I stand up and look down on the screen,
oddly!
Is there some increased stepping (quantisation) of colours going on in the
DoM output, or am I imagining that?
Best,
Carl
On Mon, 9 Jul 2018, CJ | Digital Test Tools wrote:
Just wondering, Jean...
Did anything else change in your setup coinciding with the last Premiere version?
Monitors? Project parameters?...or perhaps did Premiere change you into a different color
space – 709 to P3? Looking at your Tiff files on 2 different P3 screens, they don’t look
that different though I can see from the histograms that there are shifts in all the
colors.
Thus, I wonder if there are other things going on in the set up.
C J Flynn
Typeos from CJ's iPad
On Jul 8, 2018, at 1:43 PM, Carl Hetherington via
DCPomatic <dcpomatic(a)carlh.net> wrote:
On Sun, 8 Jul 2018 22:09:48 +0200
Septieme Factory via DCPomatic <dcpomatic(a)carlh.net> wrote:
Hi,
I have been making DCP for a wile and since the last Premiere CC update I have purple
artefacts in blue color.
Does anyone have notice that and know a way to avoid it ?
Are you going into DCP-o-matic with TIFF files? Do you have TIFFs from the working and
non-working versions of Premiere?
Kind regards,
Carl
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