Hi,
Here you are! Sorry for the delay.
Lilian
Le 30/08/2018 11:27, Jude Chidebe a écrit :
> Thank you Lilian.
>
> I am very grateful for your swift response.
>
> The cinema chain just gave me the serial numbers of their servers for
> their another location. Would you please indulge me one more request?
>
> _/Serial Nos/_
> _/
> /_
> 0000000F77AA
> 0000000D0BCE
> 0000000D1F9A
> 0000000F1102
>
>
> Yes I would go ahead and ask Christie for an account, hopefully that
> would not take very long.
> I do have some other cinemas yet to send me their DCI readiness sheets
> and some of them might also use Christie servers.
>
> I once again express my gratitude.
>
> Best regards.
>
>
> *Jude Chidebe*
> Head of Post Production & Studio Facilities
> m: (+234) 09062657246
> e: j.chidebe(a)trinostudios.com <mailto:enquiries@trinostudios.com>
> __
>
> *TRINO STUDIOS LTD.*
> 4 Olumo Road, Parkview Estate, Ikoyi, Lagos, Nigeria
> t: (+234) 01-2951248
> e: enquiries(a)trinostudios.com <mailto:enquiries@trinostudios.com>
> w: www.trinostudios.com <http://www.trinostudios.com>
>
>
>
>> On 30 Aug 2018, at 8:50 AM, lilian lefranc <lilianlef(a)gmail.com
>> <mailto:lilianlef@gmail.com>> wrote:
>>
>> Hi,
>>
>> Please find them enclosed.
>> Why don't you ask an account to Christie to get them easily?
>>
>> Best regards,
>>
>> Lilian
>>
>> Le 29/08/2018 21:04, Jude Chidebe a écrit :
>>> Hello Lilian.
>>>
>>> Can you help me get certificates for *Christie IMB-S2*.
>>>
>>> We are a distributor sending out DCPs to a theatre.
>>>
>>> /_Serial Nos:_/
>>> /_
>>> _/
>>> 9C9D0013917B
>>> 4503001F545B
>>> 0000000F7AB9
>>>
>>>
>>> *Jude Chidebe*
>>> Head of Post Production & Studio Facilities
>>> m: (+234) 09062657246
>>> e: j.chidebe(a)trinostudios.com <mailto:enquiries@trinostudios.com>
>>> __
>>>
>>> *TRINO STUDIOS LTD.*
>>> 4 Olumo Road, Parkview Estate, Ikoyi, Lagos, Nigeria
>>> t: (+234) 01-2951248
>>> e: enquiries(a)trinostudios.com <mailto:enquiries@trinostudios.com>
>>> w: www.trinostudios.com <http://www.trinostudios.com/>
>>>
>>>
>>>
>>
>> <IMB-S2_0000000F7AB9_sha256.pem><IMB-S2_9C9D0013917B_sha256.pem><IMB-S2_4503001F545B_sha256.pem>
>
Hi,
Please find them enclosed.
Why don't you ask an account to Christie to get them easily?
Best regards,
Lilian
Le 29/08/2018 21:04, Jude Chidebe a écrit :
> Hello Lilian.
>
> Can you help me get certificates for *Christie IMB-S2*.
>
> We are a distributor sending out DCPs to a theatre.
>
> /_Serial Nos:_/
> /_
> _/
> 9C9D0013917B
> 4503001F545B
> 0000000F7AB9
>
>
> *Jude Chidebe*
> Head of Post Production & Studio Facilities
> m: (+234) 09062657246
> e: j.chidebe(a)trinostudios.com <mailto:enquiries@trinostudios.com>
> __
>
> *TRINO STUDIOS LTD.*
> 4 Olumo Road, Parkview Estate, Ikoyi, Lagos, Nigeria
> t: (+234) 01-2951248
> e: enquiries(a)trinostudios.com <mailto:enquiries@trinostudios.com>
> w: www.trinostudios.com <http://www.trinostudios.com>
>
>
>
Hi Carl,
I just wanted to report a bad bug that occured in 2.12.2 version and that
goes on til the last one : 2.12.9 version.
DCP o Matic crashes each time you want to make a 3D DCP (I tested Linux and
windows versions and it's the same)
I made several test and the only solution to make a 3D DCP is to downgrade
to version 2.10.5 that works without any problem.
Regards,
Thierry JOURNET
Hello,
I am having some issues, this was my first time creating a DCP set of files
as a buddy wanted me to make a commercial for a local drive in movie
theater, so I made the MP4 video out of still pictures and logos and some
backgrounds and music. I then took my finished MP4 and used DCP-o-matic to
convert to the files needed on the Barco DP2K-23B projector used at the
theater well we play it and the whole video is highlighted like pink. So
then i am confused and download the player to check it at home but it plays
the same file with no pink at home so now I am lost hoping the player would
do the same thing so i could trouble check. Any thoughts on what I should
do?
Hi Carl.
I'm just wondering how/when you go about merging commits from the test
version into stable branch?
For example, a feature request I made
(https://dcpomatic.com/mantis/view.php?id=1284) was implemented in test
version 2.13.19. Since then, stable 2.12.6 has been released but does
not contain this commit.
Stable releases since 2.12.2 are bug fix releases. However, what
confuses me is that there are many more bug fixes which have been
committed to the test branch. So there's obviously some criteria for
what makes it through to stable and what doesn't.
If you can be bothered, can you explain the release strategy a little
bit? And do you have a rough timeline of when the next stable release is
likely to be?
Just asking as I'm planning ahead to an upcoming festival and wondering
what version to settle on.
Many thanks,
Jim
Hi all.
Is there anyone out there who has access to Christie's certificate
database and would be willing to look up a couple of certs for me?
Have a show on Friday and we're using mobile projectors which are
currently locked in a warehouse in middle of nowhere, so it'd be a pain
to get them out to extract the certs from them. For whatever reason, the
owner of the projectors doesn't have a copy of the certs.
If anyone can help would be amazing!
Many thanks,
Jim
Hi,
I have been making DCP for a wile and since the last Premiere CC update I have purple artefacts in blue color.
Does anyone have notice that and know a way to avoid it ?
(Here below timeline shots from premiere)
Thanks in advance for your help.
Jean
The dcp Omatic image after processing : (purple artefacts on the top left)
Original footage :
Hi all,
DCP-o-matic 2.12.8 is now available from https://dcpomatic.com/download
This is a bug-fix release which corrects some problems with 2.12.6, and
provides a couple of small improvements:
Fix failure to load image files with non-ASCII pathnames.
Fix some reel length errors at the end of transcodes.
Prevent the introduction of negative trims (which cause encoding errors).
Assume .jpf files are JPEG2000 images.
Fix the update checker (#1338).
Speed up the timeline in some cases.
Add build for Fedora 28.
Special thanks to our subscribers and supporters!
Kind regards,
Carl
Désolé que je ne peux pas aider plus…I haven’t touched Premiere since 1990s!
The never changing rule:
Entertainment Technology Debug Question One: What else has changed?
Entertainment Technology Debug Question Two: What else has changed?
Of course, you wonder if DCP O Matic has changed…?
When I google Premiere update color shift – many answers, some recent, many old.
=-=-=
The right color space depends on the capabilities of the equipment that you are using, the client’s release format, and importantly for you, the archive format. A library has value only if it keeps up with current trends. For example, a VHS format and color space has little value today – it is unwatchable and cannot be upgraded easily or well. And more than one streaming service is demanding P3 4K minimum. All trends are toward more and better pixels: How soon 2020? The best that the client can afford today! But you are the client!!!
The trend in the standards world is toward a high grade mezzanine format for archiving and a lot of metadata for different iterations and evolutions. SMPTE ST2065 – Academy Color Encoding Specification (ACES),and ST 2067 – Interoperable Mastering Format (IMF) detail the entire path from production to various forms of exhibition…and those standards continue to be worked on.
I don’t have a specific answer to “Right Color Space for Premiere” but it seems that the answer is a constantly improving workflow for deliverables that are going to be under constant pressure for better and interchange software that will help advance that.
Regards in return…Charles
> On 9 Jul 2018, at 10:27, Septieme Factory <jean.heches(a)wanadoo.fr> wrote:
>
> Hi Flynn,
>
> Thanks for answering.
>
> Except the new Premiere version I haven't change anything. I am even using the same old templates I have used before for other previous export working fine.
>
> What should be the right color space in premiere ?
>
>
> Best regards
> Jean
>
> Here below my sequence setup :
>
>
> <Capture d’écran 2018-07-09 à 19.21.30.png>
>> Le 9 juil. 2018 à 18:01, CJ | Digital Test Tools <cjflynn(a)digitaltesttools.com <mailto:cjflynn@digitaltesttools.com>> a écrit :
>>
>> Just wondering, Jean...
>>
>> Did anything else change in your setup coinciding with the last Premiere version? Monitors? Project parameters?...or perhaps did Premiere change you into a different color space – 709 to P3? Looking at your Tiff files on 2 different P3 screens, they don’t look that different though I can see from the histograms that there are shifts in all the colors.
>>
>> Thus, I wonder if there are other things going on in the set up.
>>
>> C J Flynn
>>
>> Typeos from CJ's iPad
>>
>>> On Jul 8, 2018, at 1:43 PM, Carl Hetherington via DCPomatic <dcpomatic(a)carlh.net <mailto:dcpomatic@carlh.net>> wrote:
>>>
>>> On Sun, 8 Jul 2018 22:09:48 +0200
>>> Septieme Factory via DCPomatic <dcpomatic(a)carlh.net <mailto:dcpomatic@carlh.net>> wrote:
>>>
>>>> Hi,
>>>>
>>>> I have been making DCP for a wile and since the last Premiere CC update I have purple artefacts in blue color.
>>>> Does anyone have notice that and know a way to avoid it ?
>>>
>>> Are you going into DCP-o-matic with TIFF files? Do you have TIFFs from the working and non-working versions of Premiere?
>>>
>>> Kind regards,
>>> Carl
>>>
>>> _______________________________________________
>>> DCPomatic mailing list
>>> DCPomatic(a)carlh.net <mailto:DCPomatic@carlh.net>
>>> http://main.carlh.net/cgi-bin/mailman/listinfo/dcpomatic
>
Does anyone know if it's possible to build a DCP with DCP-o-matic that
repeats a source file a number of times, but only encodes it once? So
essentially the CPL would point to the same asset multiple times.
I'm adding the source video multiple times in the content tab, and then
selecting "split by video content" for reels. This still re-encodes each
instance of the source video.
--
TOM HAINES
Screenings | Originals Publicity
M: 310.467.3069 | thaines(a)netflix.com
5808 W. Sunset Blvd, 5th fl | Los Angeles, CA 90028
<https://maps.google.com/?q=5808+W.+Sunset+Blvd,+5th+fl+%7C+Los+Angeles,+CA+…>