Leslie,
Thanks for this, I am doing -13.3 (was what the fader calculator gave me) .
I was playing at 3.5 and want 5. Sounds like -15 may be a good starting
point in future for stuff mixed at -0db.
Tom,
absolutely. They have confirmed Rec.709, I am trying to get the gamma from
them.
Carsten,
Yes it was -1db, I was going to max of -12db tand this seemed correct but I
think I miinterpreted something.
Thanks for everyone help, you lot rock;).
Ben
On 7 August 2014 18:49, LESLIE HARTMIER <leslieh1(a)shaw.ca> wrote:
To add to Carsten's statement, I would also
receive the popping on some
of the content that I'd convert until I attenuated the audio about 12 to
18dB. I suspect you will have similar results.
Leslie Hartmier
Technician
Independent Theatre Supply/Magic Lantern Theatres/Rainbow Cinemas
Original Message
From: Carsten Kurz
Sent: Thursday, August 7, 2014 11:37 AM
To: dcpomatic carlh net
Reply To: Carsten Kurz
Subject: Re: [DCP-o-matic] Tested first mayor DCP, few issues
Am 07.08.2014 um 18:50 schrieb Ben Edwards:
Think its 24fps source and DCP.
I think the best way to fix the audio issue is no to just try different
settings, but to analyse the sound that has been converted into the DCP.
Unfortunately, 30min of 5.1 is a bit too much to upload anywhere. One would
unwrap the audio to a multichannel wave file, load it into an editor and
then check levels and possible pops/clipping.
If the source files was mastered to full range, I assume -12 to -18db
would have been a useful setting, but that depends on the content.
Documentary is very different from feature movie sound.
Did you actually use -1dB as you wrote or is that a typo? Because that
sure is not enough attentuation.
- Carsten
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